{"id":175241,"date":"2023-09-24T22:32:53","date_gmt":"2023-09-24T20:32:53","guid":{"rendered":"https:\/\/us.edu.pl\/?page_id=175241"},"modified":"2024-01-08T10:54:50","modified_gmt":"2024-01-08T09:54:50","slug":"nauka-centrum-badan-groznawczych","status":"publish","type":"page","link":"https:\/\/us.edu.pl\/en\/nauka-i-badania\/centra-badawcze\/centrum-badan-groznawczych\/nauka-centrum-badan-groznawczych\/","title":{"rendered":"science | Game Studies Research Centre"},"content":{"rendered":"

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Game Studies Research Centre \u2192<\/span><\/a><\/p>\n

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Science<\/span><\/h2>\n

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<\/a>Research projects<\/h3>\n

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Projects carried out by members of the Game Studies Research Centre<\/p>\n

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Micha\u0142 K\u0142osi\u0144ski<\/p>\n

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Mapping Game Biopolitics: Immunological Paradigms in Digital Games, the National Science Centre<\/strong><\/p>\n

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The purpose of this research project is to pose questions about the different ways of representing life and death management in games (biopolitics). How do games\u2014understood as texts of culture\u2014convey our fantasies, ideas or fears about various modern regimes? What solutions to social, economic and political problems are presented to us in relationship with state institutions, mechanisms of power or population control? Our goal is to describe how the issues of control over life and death are problematised in many game genres. We’re interested in describing how games invite players to reflect on the positive and negative ways of social control.<\/span><\/p>\n

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It can be said that the research in this project is conducted in virtual reality, because most of it comes down to playing games and searching their worlds for different representations and problematisation of biopolitics. The research focuses on developing a typology and creating a map of individual elements of digital worlds, game mechanics or ideological representations of different ways of controlling life. This means that we are looking for a certain generalised schema that would be useful when comparing narratives problematising the functioning of various positive and negative social visions.<\/p>\n

Reason for the research:<\/strong><\/p>\n

We want to better understand how people construct narratives about managing life, what patterns appear in these narratives, and how video games represent and shape our concept of power, protection or extermination of other beings, groups or civilizations. By studying games, we want to find out more about our views on politics, economy and society, also in times of biopolitical restrictions related to the pandemic. What fears, behaviours and ways of thinking are constructed in games and presented to players as models for understanding phenomena such as the state of exception, migration, annihilation. What biopolitical opportunities do games offer us, players?<\/p>\n

Results of the research:<\/strong><\/p>\n

The main output of our research will be an insight into the cultural importance of games as carriers of various biopolitical solutions. Our typology will deepen your knowledge of games as an important medium, which creates ideological models for understanding and rethinking both real as well as fictional systems of exercising power over life and death. Mapping immunological paradigms in games tells us what games offer in our understanding of biopolitics.<\/p>\n

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<\/a>Scientific publications<\/h3>\n

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Magdalena Bednorz<\/h4>\n

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ORCID: 0000-0003-1354-750X<\/a><\/p>\n

ResearchGate: www.researchgate.net\/profile\/Magdalena_Bednorz<\/a><\/p>\n

List of publications: publications (us.edu.pl)<\/a><\/p>\n

\n<\/div>\r\n <\/div>\r\n <\/div>[\/vc_column_inner][\/vc_row_inner][vc_empty_space height=”3em” el_class=”bg-gray”][vc_empty_space height=”3em”][vc_row_inner][vc_column_inner width=”1\/2″][vc_custom_heading text=”Emotional effort as the basic principle of (courtly) love. Romance with Anomen in \u2018Baldur’s Gate II\u2019” font_container=”tag:p|font_size:1.5em|text_align:left|color:%23565656|line_height:1.5″ google_fonts=”font_family:PT%20Serif%3Aregular%2Citalic%2C700%2C700italic|font_style:700%20bold%20italic%3A700%3Aitalic” el_class=”container”][vc_column_text el_class=”container text-modules__content small”]<\/p>\n

Images. The International Journal of European Film, Performing Arts and Audiovisual Communication,\u00a0<\/em>No. 33(42), 2023, pp. 307\u2013325.<\/p>\n

[\/vc_column_text][vc_custom_heading text=”Heroine\u2019s Journey to Love: Spatial Rhetoric in Romantic Subplots in BioWare\u2019s Fantasy RPGs” font_container=”tag:p|font_size:1.5em|text_align:left|color:%23565656|line_height:1.5″ google_fonts=”font_family:PT%20Serif%3Aregular%2Citalic%2C700%2C700italic|font_style:700%20bold%20italic%3A700%3Aitalic” el_class=”container”][vc_column_text el_class=”container text-modules__content small”]<\/p>\n

Images. The International Journal of European Film, Performing Arts and Audiovisual Communication<\/em>, No. 29(38), 2021, pp. 191\u2013204.<\/p>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_custom_heading text=”Playing Out the Unspeakable: the Rhetorics of Trauma in ‘The Day the Laughter Stopped’ Digital Game” font_container=”tag:p|font_size:1.5em|text_align:left|color:%23565656|line_height:1.5″ google_fonts=”font_family:PT%20Serif%3Aregular%2Citalic%2C700%2C700italic|font_style:700%20bold%20italic%3A700%3Aitalic” el_class=”container”][vc_column_text el_class=”container text-modules__content small”]<\/p>\n

Res Rhetorica,\u00a0<\/em>No.<\/em>29(38), 2021, pp. 83\u201397.<\/p>\n

[\/vc_column_text][vc_custom_heading text=”Digital Experience of Love and Loss: Emotional Game Design in Emily is Away” font_container=”tag:p|font_size:1.5em|text_align:left|color:%23565656|line_height:1.5″ google_fonts=”font_family:PT%20Serif%3Aregular%2Citalic%2C700%2C700italic|font_style:700%20bold%20italic%3A700%3Aitalic” el_class=”container”][vc_column_text el_class=”container text-modules__content small”]<\/p>\n

Przegl\u0105d Kulturoznawczy<\/em>, No. 1(43), 2020, pp. 108\u2013121.<\/p>\n

[\/vc_column_text][vc_custom_heading text=”Gamer Identity Crisis \u2013 Meaning of the Term \u2018Gamer\u2019 in View of the Popularisation of Video Games” font_container=”tag:p|font_size:1.5em|text_align:left|color:%23565656|line_height:1.5″ google_fonts=”font_family:PT%20Serif%3Aregular%2Citalic%2C700%2C700italic|font_style:700%20bold%20italic%3A700%3Aitalic” el_class=”container”][vc_column_text el_class=”container text-modules__content small”]<\/p>\n

Homo Ludens<\/em>, No. 2(8), 2015, pp. 10\u201321.<\/p>\n

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Tomasz Bonikowski<\/h4>\n

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ORCID: 0000-0002-2549-804X<\/a><\/p>\n

ResearchGate:<\/p>\n

List of publications:<\/p>\n

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Maciej Niezgoda<\/h4>\n

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ORCID: 0000-0003-0110-8091<\/a><\/p>\n

ResearchGate:<\/p>\n

List of publications: opus.us.edu.pl<\/a><\/p>\n

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Tomasz Gnat<\/h4>\n

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ORCID: 0000-0002-9740-8314<\/a><\/p>\n

ResearchGate:<\/p>\n

List of publications: opus.us.edu.pl<\/a>,\u00a0publications (us.edu.pl)<\/a><\/p>\n

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Agnieszka Kli\u015b-Brodowska<\/h4>\n

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ORCID: 0000-0003-1024-1601<\/a><\/p>\n

ResearchGate: researchgate.net\/profile\/Agnieszka-Klis-Brodowska<\/a><\/p>\n

List of publications: publications (us.edu.pl)<\/a><\/p>\n

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gry<\/strong><\/p>\n

[\/vc_column_text][vc_custom_heading text=”A Fairy-Tale Digital Game and the Potential for Revision: Ubisoft Montreal\u2019s Child of Light” font_container=”tag:p|font_size:1.5em|text_align:left|color:%23565656|line_height:1.5″ google_fonts=”font_family:PT%20Serif%3Aregular%2Citalic%2C700%2C700italic|font_style:700%20bold%20italic%3A700%3Aitalic” el_class=”container”][vc_column_text el_class=”container text-modules__content small”]<\/p>\n

Agnieszka Kli\u015b-Brodowska.\u00a0Marvels and Tales<\/em>. Vol. 37, No. 1 (2023), 21-47. DOI: 10.1353\/mat.2023.a900259<\/a><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Writing a Discipline: The History of Digital Games Research and the Meanders of Writing It on the Example of Frans M\u00e4yr\u00e4\u2019s \u2018A (Very) Short History of Game Studies\u2019” font_container=”tag:p|font_size:1.5em|text_align:left|color:%23565656|line_height:1.5″ google_fonts=”font_family:PT%20Serif%3Aregular%2Citalic%2C700%2C700italic|font_style:700%20bold%20italic%3A700%3Aitalic” el_class=”container”][vc_column_text el_class=”container text-modules__content small”]<\/p>\n

Agnieszka Kli\u015b-Brodowska. Homo Ludens<\/em>. No. 9 (2016), pp. 13-30 (article of the year)<\/strong>. Available on the publisher\u2019s website<\/a><\/p>\n

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gotyk <\/strong><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Ghosting History\/Historicizing the Ghost: Time Passage in T. C. Haliburton\u2019s \u2018The Old Judge\u2019” font_container=”tag:p|font_size:1.5em|text_align:left|color:%23565656|line_height:1.5″ google_fonts=”font_family:PT%20Serif%3Aregular%2Citalic%2C700%2C700italic|font_style:700%20bold%20italic%3A700%3Aitalic” el_class=”container”][vc_column_text el_class=”container text-modules__content small”]<\/p>\n

Agnieszka Kli\u015b-Brodowska. Journal of Commonwealth Literature<\/em>. Vol. 58, No. 1 (2023), pp. 213-228. DOI: 10.1177\/0021989420969768<\/a>.<\/p>\n

[\/vc_column_text][vc_custom_heading text=”\u2019Going Back to the Middle Ages\u2019: Tracing Medievalism in Julia Beckwith Hart\u2019s \u2018St. Ursula\u2019s Convent\u2019 and John Richardson\u2019s \u2018Wacousta\u2019” font_container=”tag:p|font_size:1.5em|text_align:left|color:%23565656|line_height:1.5″ google_fonts=”font_family:PT%20Serif%3Aregular%2Citalic%2C700%2C700italic|font_style:700%20bold%20italic%3A700%3Aitalic” el_class=”container”][vc_column_text el_class=”container text-modules__content small”]<\/p>\n

Agnieszka Kli\u015b-Brodowska. In: Medievalism in English Canadian literature: From Richardson to Atwood<\/em>, MJ Toswell, Anna Czarnowus, ed. D.S. Brewer. Cambridge 2020. ISBN 978-1-84384-547-8, pp. 36-51. DOI: 10.1017\/9781787448858.003<\/a>.<\/p>\n

[\/vc_column_text][vc_custom_heading text=”From the Outside to the Inside and the Other Way Round: The Space of Contemporary Gothic Cities” font_container=”tag:p|font_size:1.5em|text_align:left|color:%23565656|line_height:1.5″ google_fonts=”font_family:PT%20Serif%3Aregular%2Citalic%2C700%2C700italic|font_style:700%20bold%20italic%3A700%3Aitalic” el_class=”container”][vc_column_text el_class=”container text-modules__content small”]<\/p>\n

Agnieszka Kli\u015b. In: Exploring space: spatial notions in cultural, literary and language studies. Vol. 1, Space in cultural and literary studies<\/em>, Andrzej Ciuk, Katarzyna Mo\u0142ek-Kozakowska, ed. Cambridge Scholars Publishing. Newcastle upon Tyne 2010, pp. 378-386.<\/p>\n

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Micha\u0142 K\u0142osi\u0144ski<\/h4>\n

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ORCID: 0000-0002-5169-5338<\/a><\/p>\n

ResearchGate: www.researchgate.net\/profile\/Michal-Klosinski<\/a><\/p>\n

List of publications: publications (us.edu.pl)<\/a><\/p>\n

\n<\/div>\r\n <\/div>\r\n <\/div>[\/vc_column_inner][\/vc_row_inner][vc_empty_space height=”3em” el_class=”bg-gray”][vc_empty_space height=”3em”][vc_row_inner disable_element=”yes”][vc_column_inner width=”1\/2″][vc_column_text el_class=”black bg-g d-inline-flex” css=”.vc_custom_1701235377212{margin: 15px !important;}”]<\/p>\n

gry<\/strong><\/p>\n

[\/vc_column_text][vc_custom_heading text=”A Fairy-Tale Digital Game and the Potential for Revision: Ubisoft Montreal\u2019s Child of Light” font_container=”tag:p|font_size:1.5em|text_align:left|color:%23565656|line_height:1.5″ google_fonts=”font_family:PT%20Serif%3Aregular%2Citalic%2C700%2C700italic|font_style:700%20bold%20italic%3A700%3Aitalic” el_class=”container”][vc_column_text el_class=”container text-modules__content small”]<\/p>\n

Agnieszka Kli\u015b-Brodowska.\u00a0Marvels and Tales<\/em>. Vol. 37, no. 1 (2023), 21-47. DOI: 10.1353\/mat.2023.a900259<\/a><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Pisz\u0105c dyscyplin\u0119: o historii bada\u0144 gier cyfrowych i zawi\u0142o\u015bciach jej pisania na przyk\u0142adzie \u2018(bardzo) kr\u00f3tkiej historii game studies\u2019 Fransa M\u00e4yry” font_container=”tag:p|font_size:1.5em|text_align:left|color:%23565656|line_height:1.5″ google_fonts=”font_family:PT%20Serif%3Aregular%2Citalic%2C700%2C700italic|font_style:700%20bold%20italic%3A700%3Aitalic” el_class=”container”][vc_column_text el_class=”container text-modules__content small”]<\/p>\n

Agnieszka Kli\u015b-Brodowska. Homo Ludens<\/em>. Nr 9 (2016), 13-30 (artyku\u0142 roku)<\/strong>. Artyku\u0142 na stronie wydawcy<\/a><\/p>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text el_class=”black bg-g d-inline-flex” css=”.vc_custom_1701235440561{margin-top: 15px !important;margin-right: 15px !important;margin-bottom: 15px !important;margin-left: 15px !important;}”]<\/p>\n

gotyk <\/strong><\/p>\n

[\/vc_column_text][vc_custom_heading text=”Ghosting history\/historicizing the ghost: Time passage in T. C. Haliburton\u2019s The Old Judge” font_container=”tag:p|font_size:1.5em|text_align:left|color:%23565656|line_height:1.5″ google_fonts=”font_family:PT%20Serif%3Aregular%2Citalic%2C700%2C700italic|font_style:700%20bold%20italic%3A700%3Aitalic” el_class=”container”][vc_column_text el_class=”container text-modules__content small”]<\/p>\n

Agnieszka Kli\u015b-Brodowska. Journal of Commonwealth Literature<\/em>. Vol. 58, no. 1 (2023), 213-228. DOI: 10.1177\/0021989420969768<\/a>.<\/p>\n

[\/vc_column_text][vc_custom_heading text=”\u2019Going Back to the Middle Ages\u2019: Tracing medievalism in Julia Beckwith Hart\u2019s St. Ursula\u2019s Convent and John Richardson\u2019s Wacousta” font_container=”tag:p|font_size:1.5em|text_align:left|color:%23565656|line_height:1.5″ google_fonts=”font_family:PT%20Serif%3Aregular%2Citalic%2C700%2C700italic|font_style:700%20bold%20italic%3A700%3Aitalic” el_class=”container”][vc_column_text el_class=”container text-modules__content small”]<\/p>\n

Agnieszka Kli\u015b-Brodowska. In: Medievalism in English Canadian literature: From Richardson to Atwood<\/em>, MJ Toswell, Anna Czarnowus, ed. D.S. Brewer. Cambridge 2020. ISBN 978-1-84384-547-8, 36-51. DOI: 10.1017\/9781787448858.003<\/a>.<\/p>\n

[\/vc_column_text][vc_custom_heading text=”From the outside to the inside and the other way round: the space of contemporary gothic cities” font_container=”tag:p|font_size:1.5em|text_align:left|color:%23565656|line_height:1.5″ google_fonts=”font_family:PT%20Serif%3Aregular%2Citalic%2C700%2C700italic|font_style:700%20bold%20italic%3A700%3Aitalic” el_class=”container”][vc_column_text el_class=”container text-modules__content small”]<\/p>\n

Agnieszka Kli\u015b. In: Exploring space: spatial notions in cultural, literary and language studies. Vol. 1, Space in cultural and literary studies<\/em>, Andrzej Ciuk, Katarzyna Mo\u0142ek-Kozakowska, ed. Cambridge Scholars Publishing. Newcastle upon Tyne 2010, 378-386.<\/p>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner gap=”5″][vc_column_inner width=”1\/4″][vc_custom_heading text=”Adventures of a Digital Nomad. Game Interpretation” font_container=”tag:p|font_size:1.5em|text_align:left|color:%23565656|line_height:1.5″ google_fonts=”font_family:PT%20Serif%3Aregular%2Citalic%2C700%2C700italic|font_style:700%20bold%20italic%3A700%3Aitalic” el_class=”container”]\r\n

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available on the publisher’s website<\/a><\/p>\n

\n<\/div>\r\n <\/div>\r\n <\/div>[\/vc_column_inner][vc_column_inner width=”1\/4″][vc_custom_heading text=”Hermeneutics of Video Games. Interpretation, Immersion, Utopia” font_container=”tag:p|font_size:1.5em|text_align:left|color:%23565656|line_height:1.5″ google_fonts=”font_family:PT%20Serif%3Aregular%2Citalic%2C700%2C700italic|font_style:700%20bold%20italic%3A700%3Aitalic” el_class=”container”]\r\n

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available on the publisher\u2019s website<\/a><\/p>\n

\n<\/div>\r\n <\/div>\r\n <\/div>[\/vc_column_inner][vc_column_inner width=”1\/2″][vc_custom_heading text=”Broken World. On \u2018World. Naive Poem\u2019 by Czes\u0142aw Milosz” font_container=”tag:p|font_size:1.5em|text_align:left|color:%23565656|line_height:1.5″ google_fonts=”font_family:PT%20Serif%3Aregular%2Citalic%2C700%2C700italic|font_style:700%20bold%20italic%3A700%3Aitalic” el_class=”container”][vc_column_text el_class=”container text-modules__content small”]<\/p>\n

(Warszawa 2013)<\/p>\n

[\/vc_column_text][vc_custom_heading text=”The Only Hope Is Poetry. Baudrillard \u2013 Theory \u2013 Literature” font_container=”tag:p|font_size:1.5em|text_align:left|color:%23565656|line_height:1.5″ google_fonts=”font_family:PT%20Serif%3Aregular%2Citalic%2C700%2C700italic|font_style:700%20bold%20italic%3A700%3Aitalic” el_class=”container”][vc_column_text el_class=”container text-modules__content small”]<\/p>\n

(Warszawa 2015)<\/p>\n

[\/vc_column_text][vc_custom_heading text=”More After More. Essays Commemorating the Five-Hundredth Anniversary of Thomas More\u2019s Utopia” font_container=”tag:p|font_size:1.5em|text_align:left|color:%23565656|line_height:1.5″ google_fonts=”font_family:PT%20Serif%3Aregular%2Citalic%2C700%2C700italic|font_style:700%20bold%20italic%3A700%3Aitalic” el_class=”container”][vc_column_text el_class=”container text-modules__content small”]<\/p>\n

with Ksenia Olkusz and Krzysztof M. Maj (Krak\u00f3w 2016<\/p>\n

[\/vc_column_text][vc_custom_heading text=”The Discourses of Video Games” font_container=”tag:p|font_size:1.5em|text_align:left|color:%23565656|line_height:1.5″ google_fonts=”font_family:PT%20Serif%3Aregular%2Citalic%2C700%2C700italic|font_style:700%20bold%20italic%3A700%3Aitalic” el_class=”container”][vc_column_text el_class=”container text-modules__content small”]<\/p>\n

with Krzysztof M. Maj (2019)<\/p>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=”1rem”][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=”2em”][\/vc_column][\/vc_row][vc_row el_class=”container”][vc_column css=”.vc_custom_1701248250335{margin-top: 20px !important;margin-right: 20px !important;margin-bottom: 20px !important;margin-left: 20px !important;border-top-width: 2px !important;border-right-width: 2px !important;border-bottom-width: 2px !important;border-left-width: 2px !important;padding-top: 20px !important;padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;border-left-color: #ebebeb !important;border-left-style: solid !important;border-right-color: #ebebeb !important;border-right-style: solid !important;border-top-color: #ebebeb !important;border-top-style: solid !important;border-bottom-color: #ebebeb !important;border-bottom-style: solid !important;border-radius: 5px !important;}”][vc_empty_space height=”3em” el_class=”bg-gray”][vc_row_inner equal_height=”yes” content_placement=”middle” el_class=”bg-gray”][vc_column_inner width=”1\/3″][vc_column_text el_class=”f-6 text-modules__content” css=”.vc_custom_1701788890101{padding-left: 15px !important;}”]<\/p>\n

Bartosz Stopel<\/h4>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″ css=”.vc_custom_1701168297307{border-left-width: 2px !important;border-left-color: #94c11f !important;border-left-style: dashed !important;border-radius: 2px !important;}”]\r\n

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ORCID: 0000-0002-2100-2182<\/a><\/p>\n

ResearchGate:<\/p>\n

List of publications: opus.us.edu.pl<\/a>,\u00a0publications (us.edu.pl)<\/a><\/p>\n

\n<\/div>\r\n <\/div>\r\n <\/div>[\/vc_column_inner][\/vc_row_inner][vc_empty_space height=”3em” el_class=”bg-gray”][vc_empty_space height=”3em”][vc_empty_space height=”1rem”][\/vc_column][\/vc_row]<\/p>\n

<\/p>","protected":false},"excerpt":{"rendered":"

[vc_row el_class=”container”][vc_column][vc_column_text el_class=”text-modules__content”] Game Studies Research Centre \u2192 [\/vc_column_text][vc_column_text] Science [\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”container”][vc_column][vc_empty_space][vc_column_text el_class=”text-modules__content bg-gray bg-green d-inline-flex”] Research projects [\/vc_column_text][vc_row_inner el_class=”container” css=”.vc_custom_1701231661181{margin: 20px !important;padding: 20px !important;border: 2px solid #ebebeb !important;border-radius: 5px !important;}”][vc_column_inner el_class=”container” width=”1\/4″][vc_single_image image=”178015″ img_size=”large” alignment=”center” el_class=”bg-gray”][\/vc_column_inner][vc_column_inner el_class=”container” width=”3\/4″][vc_column_text el_class=”f-7 text-modules__content” css=”.vc_custom_1695586445584{padding-left: 15px !important;}”] Micha\u0142 K\u0142osi\u0144ski [\/vc_column_text][vc_column_text el_class=”letter text-modules__content f-6″ css=”.vc_custom_1704706218416{margin-left: 15px !important;}”] Mapping Game […]<\/p>\n

Read More…<\/a><\/p>\n","protected":false},"author":26,"featured_media":0,"parent":169459,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_expiration-date-status":"","_expiration-date":0,"_expiration-date-type":"","_expiration-date-categories":[],"_expiration-date-options":[]},"acf":[],"_links":{"self":[{"href":"https:\/\/us.edu.pl\/en\/wp-json\/wp\/v2\/pages\/175241"}],"collection":[{"href":"https:\/\/us.edu.pl\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/us.edu.pl\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/us.edu.pl\/en\/wp-json\/wp\/v2\/users\/26"}],"replies":[{"embeddable":true,"href":"https:\/\/us.edu.pl\/en\/wp-json\/wp\/v2\/comments?post=175241"}],"version-history":[{"count":1,"href":"https:\/\/us.edu.pl\/en\/wp-json\/wp\/v2\/pages\/175241\/revisions"}],"predecessor-version":[{"id":179065,"href":"https:\/\/us.edu.pl\/en\/wp-json\/wp\/v2\/pages\/175241\/revisions\/179065"}],"up":[{"embeddable":true,"href":"https:\/\/us.edu.pl\/en\/wp-json\/wp\/v2\/pages\/169459"}],"wp:attachment":[{"href":"https:\/\/us.edu.pl\/en\/wp-json\/wp\/v2\/media?parent=175241"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}