{"id":246,"date":"2020-02-03T10:56:45","date_gmt":"2020-02-03T09:56:45","guid":{"rendered":"http:\/\/us.edu.pl\/instytut\/il\/?post_type=osoby&p=246"},"modified":"2023-01-16T16:06:04","modified_gmt":"2023-01-16T15:06:04","slug":"aleksandra-komandera","status":"publish","type":"osoby","link":"https:\/\/us.edu.pl\/instytut\/il\/osoby\/aleksandra-komandera\/","title":{"rendered":"Aleksandra Komandera"},"content":{"rendered":"

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Aleksandra Komandera<\/strong><\/span><\/p>\n

aleksandra.komandera@us.edu.pl<\/a><\/span><\/p>\n

https:\/\/orcid.org\/0000-0002-1344-2081<\/a><\/span><\/p>\n

https:\/\/silesian.academia.edu\/AleksandraKomandera<\/a><\/span><\/p>\n

https:\/\/www.researchgate.net\/profile\/Aleksandra_Komandera<\/a><\/span><\/p>\n

Uko\u0144czy\u0142am filologi\u0119 roma\u0144sk\u0105 w Uniwersytecie \u015al\u0105skim (2003). Doktorat, po\u015bwi\u0119cony dwudziestowiecznym francuskim opowiadaniom niezwyk\u0142ym (conte insolite<\/em>) i napisany w systemie cotutelle (Uniwersytet \u015al\u0105ski i Universit\u00e9 de Valenciennes et du Hainaut Cambr\u00e9sis, Francja), obroni\u0142am w 2008 roku. Interesuj\u0119 si\u0119 kr\u00f3tkimi formami narracyjnymi, powie\u015bci\u0105 francusk\u0105 i francuskoj\u0119zycznej Belgii (XX i XXI w.), powie\u015bci\u0105 m\u0142odzie\u017cow\u0105, a w ich obr\u0119bie intertekstualno\u015bci\u0105, konwencjami literackimi, wyobra\u017ani\u0105 poetyck\u0105, odbiorem oraz kodami kulturowymi.<\/span><\/p>\n

Najwa\u017cniejsze publikacje:<\/strong><\/span><\/p>\n

Monografie:<\/u><\/span><\/p>\n

Le Conte insolite fran\u00e7ais au XXe<\/sup> si\u00e8cle<\/em>, Katowice, Wydawnictwo Uniwersytetu \u015al\u0105skiego 2010.<\/span><\/p>\n

Redakcja:<\/u><\/span><\/p>\n

    \n
  1. Drab, E. Komandera, A., & Rabsztyn, A. (2021). Prace Naukowe Uniwersytetu \u015al\u0105skiego Romanica Silesiana<\/em> – No. 1 (19) : S\u2019instruire? S\u2019\u00e9vader? S\u2019\u00e9mouvoir? : perspectives contemporaines des litt\u00e9ratures pour les adolescents et les jeunes adultes – Katowice : Wydawnictwo Uniwersytetu \u015al\u0105skiego.<\/span><\/li>\n
  2. Komandera, A., Rabsztyn, A., & Zdrada-Cok, M. (2019). Prace Naukowe Uniwersytetu \u015al\u0105skiego Romanica Silesiana<\/em> – No. 16 : St\u00e9r\u00e9otypes, id\u00e9es re\u00e7ues et lieux communs dans les litt\u00e9ratures d\u2019expression fran\u00e7aise – Katowice : Wydawnictwo Uniwersytetu \u015al\u0105skiego.<\/span><\/li>\n<\/ol>\n

    Artyku\u0142y w czasopismach oraz rozdzia\u0142y w ksi\u0105\u017ckach (wyb\u00f3r):<\/u><\/span><\/p>\n

      \n
    1. (2021). D\u00e9couvrir son propre soi entre l\u2019Occident et l\u2019Orient \u2013 \u00ab\u00a0Au temps du fleuve Amour\u00a0\u00bb d\u2019Andre\u00ef Makine en tant que roman d\u2019apprentissage. In (ed.), Au croisement des cultures, des discours et des langues. Cent ans d\u2019\u00e9tudes romanes \u00e0 l\u2019Universit\u00e9 de Varsovie (1919-2019). Tome 1: \u00c9tudes Litt\u00e9raires<\/em> (pp. 71\u201378).<\/span><\/li>\n
    2. (2020). L\u2019enfant et l\u2019adolescent pendant la seconde guerre mondiale dans la litt\u00e9rature de jeunesse en Pologne. In (ed.), La litt\u00e9rature de jeunesse, veilleuse de m\u00e9moire les grands conflits du XXe<\/sup> si\u00e8cle en Europe racont\u00e9s aux enfants<\/em> (pp. 103\u2013117). Presses universitaires de Rouen et du Havre.<\/span><\/li>\n
    3. (2019). L\u2019enfance sous le signe de la guerre dans \u00ab\u00a0Bubel\u00e8 l\u2019enfant \u00e0 l\u2019ombre\u00a0\u00bb d\u2019Adolphe Nysenholc : le cas d\u2019un enfant cach\u00e9. In (ed.), L\u2019enfant dans la litt\u00e9rature d\u2019expression fran\u00e7aise et francophone<\/em> (pp. 289\u2013298).<\/span><\/li>\n
    4. (2019). Entre continuation et rupture : sur la transgression dans le roman policier \u00ab\u00a0P\u00e9rils en ce royaume\u00a0\u00bb d\u2019Alain Berenboom. Synergies Pologne<\/em>, 123\u2013134.<\/span><\/li>\n
    5. (2018). Du banal au singulier dans \u00ab\u00a0Le Jour du chien\u00a0\u00bb de Caroline Lamarche. Prace Naukowe Uniwersytetu \u015al\u0105skiego Romanica Silesiana<\/em>, 23\u201330.<\/span><\/li>\n
    6. (2017). Le r\u00e9cit de voyage imaginaire : une lecture g\u00e9ocritique de \u00ab\u00a0La Belle \u00e9toile\u00a0\u00bb de Xavier Deutsch. Acta Philologica<\/em>, 51<\/em>, 251\u2013259.<\/span><\/li>\n
    7. (2017). La litt\u00e9rature pour la jeunesse revisit\u00e9e : \u00ab\u00a0De l\u2019autre c\u00f4t\u00e9 d\u2019Alice\u00a0\u00bb de Georges-Olivier Ch\u00e2teaureynaud. Romanica Cracoviensia<\/em>, 159\u2013165.<\/span><\/li>\n
    8. (2015). Nouvelle fantastique comme expression d\u2019identit\u00e9 litt\u00e9raire belge : l\u2019\u0153uvre de Bernard Quiriny. In (ed.), La Nouvelle francophone mentalit\u00e9s, identit\u00e9s, singularit\u00e9s. Actes du colloque de Limoges, 13 mai 2014<\/em> (pp. 53\u201366). Euredit.<\/span><\/li>\n
    9. (2015). Identit\u00e9 mosa\u00efqu\u00e9e dans \u00ab\u00a0De cendres et de fum\u00e9es\u00a0\u00bb de Philippe Blasband. In (ed.), Entre belgitude et postmodernit\u00e9 textes, th\u00e8mes et styles<\/em> (pp. 201\u2013212). Peter Lang.<\/span><\/li>\n
    10. (2014). Litt\u00e9rature peinte ou peinture d\u00e9crite? \u00ab\u00a0Contes\u00a0\u00bb de Thomas Owen. Synergies Pologne<\/em>, 83\u201392.<\/span><\/li>\n<\/ol>\n

      \n<\/div>\r\n <\/div>\r\n <\/div>[\/vc_tta_section][vc_tta_section title=”ENGLISH” tab_id=”1613645662750-a71db5c6-fff2″]\r\n

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      Aleksandra Komandra<\/span><\/strong><\/p>\n

      aleksandra.komandera@us.edu.pl<\/a><\/span><\/p>\n

      https:\/\/orcid.org\/0000-0002-1344-2081<\/a><\/span><\/p>\n

      https:\/\/silesian.academia.edu\/AleksandraKomandera<\/a><\/span><\/p>\n

      https:\/\/www.researchgate.net\/profile\/Aleksandra_Komandera<\/a><\/span><\/p>\n

      I graduated in romance philology from the University of Silesia (2003). I have received my PhD (2008) for a thesis concerning the 20th<\/sup> century French uncanny short fictions (contes insolites<\/em>), written in the cotutelle programme (University of Silesia and Universit\u00e9 de Valenciennes et du Hainaut Cambr\u00e9sis, France). My research interests focus on short narrative forms, French novels, Belgian novels in French (20th<\/sup> and 21st<\/sup> centuries), teen and YA literature; and more specifically intertextuality, literary conventions, imagination, reception aesthetics, cultural codes.<\/span><\/p>\n

      Publications<\/span><\/strong><\/p>\n

      Books:<\/u><\/span><\/p>\n

      Le Conte insolite fran\u00e7ais au XXe<\/sup> si\u00e8cle<\/em>, Katowice, Wydawnictwo Uniwersytetu \u015al\u0105skiego 2010.<\/span><\/p>\n

      Edition:<\/u><\/span><\/p>\n

        \n
      1. Drab, E. Komandera, A., & Rabsztyn, A. (2021). Prace Naukowe Uniwersytetu \u015al\u0105skiego Romanica Silesiana<\/em> – No. 1 (19) : S\u2019instruire? S\u2019\u00e9vader? S\u2019\u00e9mouvoir? : perspectives contemporaines des litt\u00e9ratures pour les adolescents et les jeunes adultes – Katowice : Wydawnictwo Uniwersytetu \u015al\u0105skiego.<\/span><\/li>\n
      2. Komandera, A., Rabsztyn, A., & Zdrada-Cok, M. (2019). Prace Naukowe Uniwersytetu \u015al\u0105skiego Romanica Silesiana<\/em> – No. 16 : St\u00e9r\u00e9otypes, id\u00e9es re\u00e7ues et lieux communs dans les litt\u00e9ratures d\u2019expression fran\u00e7aise – Katowice : Wydawnictwo Uniwersytetu \u015al\u0105skiego.<\/span><\/li>\n<\/ol>\n

        Articles in revues and chapters in books (recent publications):<\/u><\/span><\/p>\n

          \n
        1. (2021). D\u00e9couvrir son propre soi entre l\u2019Occident et l\u2019Orient \u2013 \u00ab\u00a0Au temps du fleuve Amour\u00a0\u00bb d\u2019Andre\u00ef Makine en tant que roman d\u2019apprentissage. In (ed.), Au croisement des cultures, des discours et des langues. Cent ans d\u2019\u00e9tudes romanes \u00e0 l\u2019Universit\u00e9 de Varsovie (1919-2019). Tome 1: \u00c9tudes Litt\u00e9raires<\/em> (pp. 71\u201378).<\/span><\/li>\n
        2. (2020). L\u2019enfant et l\u2019adolescent pendant la seconde guerre mondiale dans la litt\u00e9rature de jeunesse en Pologne. In (ed.), La litt\u00e9rature de jeunesse, veilleuse de m\u00e9moire les grands conflits du XXe<\/sup> si\u00e8cle en Europe racont\u00e9s aux enfants<\/em> (pp. 103\u2013117). Presses universitaires de Rouen et du Havre.<\/span><\/li>\n
        3. (2019). L\u2019enfance sous le signe de la guerre dans \u00ab\u00a0Bubel\u00e8 l\u2019enfant \u00e0 l\u2019ombre\u00a0\u00bb d\u2019Adolphe Nysenholc : le cas d\u2019un enfant cach\u00e9. In (ed.), L\u2019enfant dans la litt\u00e9rature d\u2019expression fran\u00e7aise et francophone<\/em> (pp. 289\u2013298).<\/span><\/li>\n
        4. (2019). Entre continuation et rupture : sur la transgression dans le roman policier \u00ab\u00a0P\u00e9rils en ce royaume\u00a0\u00bb d\u2019Alain Berenboom. Synergies Pologne<\/em>, 123\u2013134.<\/span><\/li>\n
        5. (2018). Du banal au singulier dans \u00ab\u00a0Le Jour du chien\u00a0\u00bb de Caroline Lamarche. Prace Naukowe Uniwersytetu \u015al\u0105skiego Romanica Silesiana<\/em>, 23\u201330.<\/span><\/li>\n
        6. (2017). Le r\u00e9cit de voyage imaginaire : une lecture g\u00e9ocritique de \u00ab\u00a0La Belle \u00e9toile\u00a0\u00bb de Xavier Deutsch. Acta Philologica<\/em>, 51<\/em>, 251\u2013259.<\/span><\/li>\n
        7. (2017). La litt\u00e9rature pour la jeunesse revisit\u00e9e : \u00ab\u00a0De l\u2019autre c\u00f4t\u00e9 d\u2019Alice\u00a0\u00bb de Georges-Olivier Ch\u00e2teaureynaud. Romanica Cracoviensia<\/em>, 159\u2013165.<\/span><\/li>\n
        8. (2015). Nouvelle fantastique comme expression d\u2019identit\u00e9 litt\u00e9raire belge : l\u2019\u0153uvre de Bernard Quiriny. In (ed.), La Nouvelle francophone mentalit\u00e9s, identit\u00e9s, singularit\u00e9s. Actes du colloque de Limoges, 13 mai 2014<\/em> (pp. 53\u201366). Euredit.<\/span><\/li>\n
        9. (2015). Identit\u00e9 mosa\u00efqu\u00e9e dans \u00ab\u00a0De cendres et de fum\u00e9es\u00a0\u00bb de Philippe Blasband. In (ed.), Entre belgitude et postmodernit\u00e9 textes, th\u00e8mes et styles<\/em> (pp. 201\u2013212). Peter Lang.<\/span><\/li>\n
        10. (2014). Litt\u00e9rature peinte ou peinture d\u00e9crite? \u00ab\u00a0Contes\u00a0\u00bb de Thomas Owen. Synergies Pologne<\/em>, 83\u201392.<\/span><\/li>\n<\/ol>\n

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