{"id":275,"date":"2020-02-03T12:15:40","date_gmt":"2020-02-03T11:15:40","guid":{"rendered":"http:\/\/us.edu.pl\/instytut\/il\/?post_type=osoby&#038;p=275"},"modified":"2023-01-16T17:24:07","modified_gmt":"2023-01-16T16:24:07","slug":"slawomir-maslon","status":"publish","type":"osoby","link":"https:\/\/us.edu.pl\/instytut\/il\/osoby\/slawomir-maslon\/","title":{"rendered":"S\u0142awomir Mas\u0142o\u0144"},"content":{"rendered":"<p>[vc_row][vc_column width=&#8221;2\/3&#8243;][vc_tta_tabs][vc_tta_section title=&#8221;POLISH&#8221; tab_id=&#8221;1613650928910-c9b87dea-5d57&#8243;]\r\n                <div class=\"text-modules\">\r\n                    <div class=\"container\">\r\n                        \r\n                        <div class=\"text-modules__content\"><p><span style=\"font-size: 12pt;\"><strong>dr hab. S\u0142awomir Mas\u0142o\u0144, prof. U\u015a<\/strong><\/span><\/p>\n<p><span style=\"font-size: 12pt;\"><a href=\"mailto:slawomir.maslon@us.edu.pl\">slawomir.maslon@us.edu.pl<\/a><\/span><\/p>\n<p><span style=\"font-size: 12pt;\">ORCID: <a href=\"https:\/\/orcid.org\/0000-0002-5092-6149\">0000-0002-5092-6149<\/a><\/span><\/p>\n<p><span style=\"font-size: 12pt;\"><a href=\"https:\/\/scholar.google.com\/citations?hl=pl&amp;user=YbP5sgYAAAAJ\">https:\/\/scholar.google.com\/citations?hl=pl&amp;user=YbP5sgYAAAAJ<\/a><\/span><\/p>\n<p><span style=\"font-size: 12pt;\"><a href=\"https:\/\/silesian.academia.edu\/S%25C5%2582awomirMas%25C5%2582o%25C5%2584\">https:\/\/silesian.academia.edu\/S%C5%82awomirMas%C5%82o%C5%84<\/a><\/span><\/p>\n<p><span style=\"font-size: 12pt;\"><a href=\"https:\/\/www.researchgate.net\/profile\/Slawomir-Maslon\">https:\/\/www.researchgate.net\/profile\/Slawomir-Maslon<\/a><\/span><\/p>\n<p><span style=\"font-size: 12pt;\">wykszta\u0142cenie: filolog angielski<\/span><\/p>\n<p><span style=\"font-size: 12pt;\">specjalno\u015b\u0107: literaturoznawstwo<\/span><\/p>\n<p><span style=\"font-size: 12pt;\"><strong>Tytu\u0142y i stopnie naukowe:<\/strong><\/span><\/p>\n<ul>\n<li><span style=\"font-size: 12pt;\">2009 \u2013 dr hab. nauk humanistycznych. Tytu\u0142 rozprawy: \u201e<em>P\u00e8re<\/em>-Versions of the Truth. The Novels of J. M. Coetzee\u201d (Katowice: Wydawnictwo Uniwersytetu \u015al\u0105skiego, 2007).<\/span><\/li>\n<li><span style=\"font-size: 12pt;\">1999 \u2013 doktor nauk humanistycznych. Tytu\u0142 rozprawy: \u201eStating the Obvious: Borders of Representation and the Presence of the Body in the Works of Paul Celan and Samuel Beckett\u201d (Uniwersytet \u015al\u0105ski).<\/span><\/li>\n<li><span style=\"font-size: 12pt;\">1993 \u2013 magister w zakresie filologii angielskiej. Tytu\u0142 rozprawy: \u201eReJoycing the Wake? Three Texts Concerning Dooleysprudence\u201d (Uniwersytet \u015al\u0105ski).<\/span><\/li>\n<\/ul>\n<p><span style=\"font-size: 12pt;\"><strong>Zainteresowania badawcze:<\/strong><\/span><\/p>\n<ul>\n<li><span style=\"font-size: 12pt;\">psychoanaliza,<\/span><\/li>\n<li><span style=\"font-size: 12pt;\">teoria literatury,<\/span><\/li>\n<li><span style=\"font-size: 12pt;\">teoria kultury,<\/span><\/li>\n<li><span style=\"font-size: 12pt;\">modernizm,<\/span><\/li>\n<li><span style=\"font-size: 12pt;\">film,<\/span><\/li>\n<li><span style=\"font-size: 12pt;\">historia sztuki,<\/span><\/li>\n<li><span style=\"font-size: 12pt;\">my\u015bl radykalna.<\/span><\/li>\n<\/ul>\n<p><span style=\"font-size: 12pt;\"><strong>Wybrane publikacje:<\/strong><\/span><\/p>\n<p><strong><span style=\"font-size: 12pt;\">Monografie:<\/span><\/strong><\/p>\n<ul>\n<li><span style=\"font-size: 12pt;\"><em>Secret Violences: The Political Cinema of Michelangelo Antonioni, 1960-1975<\/em> (London: Bloomsbury, 2023).<\/span><\/li>\n<li><span style=\"font-size: 12pt;\">P\u00e8re-<em>versions of the Truth: The Novels of J. M. Coetzee. <\/em><em>Expanded Second Edition<\/em> (Katowice: Wydawnictwo Uniwersytetu \u015al\u0105skiego, 2018), str. 264.<\/span><\/li>\n<li><span style=\"font-size: 12pt;\"><em>Stating the Obvious: Celan\u2013Beckett\u2013Nauman<\/em> (Katowice: Wydawnictwo Uniwersytetu \u015al\u0105skiego, 2012), str. 127.<\/span><\/li>\n<li><span style=\"font-size: 12pt;\"><em>Coetzee. Przewodnik Krytyki Politycznej<\/em> (Warszawa: Wydawnictwo Krytyki Politycznej, 2009), str. 368.<\/span><\/li>\n<li><span style=\"font-size: 12pt;\">P\u00e8re-<em>Versions of the Truth: The Novels of J. M. Coetzee<\/em> (Katowice: Wydawnictwo Uniwersytetu \u015al\u0105skiego, 2007), str. 230.<\/span><\/li>\n<\/ul>\n<p><strong><span style=\"font-size: 12pt;\">Redakcje:<\/span><\/strong><\/p>\n<ul>\n<li><span style=\"font-size: 12pt;\"><em>Affinities: Essays in Honour of Professor Tadeusz Rachwa\u0142<\/em>, red. Agnieszka Pantuchowicz i S\u0142awomir Mas\u0142o\u0144 (Frankfurt am Main: Peter Lang, 2014), str. 330.<\/span><\/li>\n<li><span style=\"font-size: 12pt;\"><em>Reciprocities: Essays in Honour of<\/em><em> Professor Tadeusz Rachwa\u0142<\/em>, red. Agnieszka Pantuchowicz i S\u0142awomir Mas\u0142o\u0144 (Katowice: Wydawnictwo Uniwersytetu \u015al\u0105skiego, 2014), str. 304.<\/span><\/li>\n<li><span style=\"font-size: 12pt;\"><em>Er(r)go<\/em>, nr 16 (1\/2008), pt.: \u201e\u015amie(r)ci psychoanalizy\u201d<\/span><\/li>\n<\/ul>\n<p><strong><span style=\"font-size: 12pt;\">Artyku\u0142y:<\/span><\/strong><\/p>\n<ul>\n<li><span style=\"font-size: 12pt;\">\u201cLooking for Something New: Antonioni&#8217;s <em>La notte<\/em> and Specters of Femininity,\u201d <em>Camera Obscura<\/em>, vol. 37, no. 1 (109)\/ 2022, 115\u2013147.<\/span><\/li>\n<li><span style=\"font-size: 12pt;\">\u201cProstitution and Art: Picasso\u2019s <em>Les Demoiselles d\u2019Avignon<\/em> and the Vicissitudes of Authenticity,\u201d <em>Er(r)go<\/em> nr 40 (1\/2020), 171-84.<\/span><\/li>\n<li><span style=\"font-size: 12pt;\">\u201ePielgrzymuj\u0105c do Zabriskie Point: Antonioni i sielanka zwana USA\u201d,<em> Kwartalnik Filmowy<\/em> 107\/2019, \u00a08-23.<\/span><\/li>\n<li><span style=\"font-size: 12pt;\">\u201eSens w maszynie: Buster Keaton i <em>Genera\u0142<\/em>\u201d,<em> Kwartalnik Filmowy<\/em> 99\/2017, 172-180.<\/span><\/li>\n<li><span style=\"font-size: 12pt;\">\u201eW.G. Sebald czuje. Melancholiczny zawr\u00f3t g\u0142owy\u201d, <em>Teksty Drugie<\/em> 5\/2016, 240-256.<\/span><\/li>\n<li><span style=\"font-size: 12pt;\">\u201e\u00bfEs bonito, verdad?\u201d <em>Zaw\u00f3d: reporter<\/em> jako transcendencja pozioma\u201d, <em>Kwartalnik Filmowy<\/em> 96\/2016, 178-188.<\/span><\/li>\n<li><span style=\"font-size: 12pt;\">\u201eCo dzwoni nam w uszach? Od ciszy Cage\u2019a do krzyku Sch\u00f6nberga i z powrotem\u201d, <em>Er(r)go<\/em> nr 33 (2\/2016), 47-57.<\/span><\/li>\n<li><span style=\"font-size: 12pt;\">\u201cThe Passion of <em>Antichrist<\/em>, Or How to Educate Your Therapist\u201d, w: <em>Nature(s): Environments We Live by in Literary and Cultural Discourses, <\/em>red. Jacek Mydla, Agata Wilczek, Tomasz Gnat (Katowice: Wydawnictwo Uniwersytetu \u015al\u0105skiego, 2014), 162-175.<\/span><\/li>\n<li><span style=\"font-size: 12pt;\">\u201c\u2018But this place is too cold for hell\u2019: The Porter as an Interpreter of <em>Macbeth<\/em>\u201d, <em>Orbis Linguarum, <\/em>40 (2014), red. Edward Bia\u0142ek, Krzysztof Huszcza, Ewa Rychter, 531-544.<\/span><\/li>\n<li><span style=\"font-size: 12pt;\">\u201eAudio-grafia. Znaczenie i irracjonalno\u015b\u0107 w muzyce\u201d, w: <em>Musica inter artes. Muzyka \u2013 sztuki plastyczne \u2013 teatr \u2013 literatura \u2013 filozofia<\/em>, red. Stanis\u0142aw Kosz, Marcin Trz\u0119siok (Katowice: Akademia Muzyczna im. K. Szymanowskiego, 2013), 23-28.<\/span><\/li>\n<li><span style=\"font-size: 12pt;\">\u201cThe South African Sublime: J. M. Coetzee and Autobiography in the New Millennium\u201d, w: <em>Beyond<\/em> <em>2000: The Recent Novel in English<\/em>, red. Ewa Rychter (Wa\u0142brzych: Wydawnictwo Pa\u0144stwowej Wy\u017cszej Szko\u0142y Zawodowej im. Angelusa Silesiusa w Wa\u0142brzychu, 2011), 169-184.<\/span><\/li>\n<li><span style=\"font-size: 12pt;\">\u201e\u017bywa \u015bmier\u0107, martwe \u017cycie: Lacan, Badiou i utracony skarb liberalizmu\u201d, <em>Er(r)go<\/em>, nr 16 (1\/2008), 41-58.<\/span><\/li>\n<li><span style=\"font-size: 12pt;\">\u201cWaste Unlimited? High Culture and Its Excrements\u201d, w: <em>Rubbish, Waste, and Litter; Culture and Its Refuse\/als<\/em>, red. Tadeusz Rachwa\u0142 (Warszawa: Wydawnictwo Szko\u0142y Wy\u017cszej Psychologii Spo\u0142ecznej, 2008), 91-101.<\/span><\/li>\n<\/ul>\n<p>\n<\/div>\r\n                    <\/div>\r\n                <\/div>[\/vc_tta_section][vc_tta_section title=&#8221;ENGLISH&#8221; tab_id=&#8221;1613650928945-f4d943c3-6c13&#8243;]\r\n                <div class=\"text-modules\">\r\n                    <div class=\"container\">\r\n                        \r\n                        <div class=\"text-modules__content\"><p><span style=\"font-size: 12pt;\"><strong>S\u0142awomir Mas\u0142o\u0144, PhD, DLitt<\/strong><\/span><\/p>\n<p><span style=\"font-size: 12pt;\"><strong>Associate Professor in the Institute of Literary Studies, the University of Silesia in Katowice<\/strong><\/span><\/p>\n<p><span style=\"font-size: 12pt;\"><a href=\"mailto:slawomir.maslon@us.edu.pl\">slawomir.maslon@us.edu.pl<\/a><\/span><\/p>\n<p><span style=\"font-size: 12pt;\">ORCID: <a href=\"https:\/\/orcid.org\/0000-0002-5092-6149\">0000-0002-5092-6149<\/a><\/span><\/p>\n<p><span style=\"font-size: 12pt;\"><a href=\"https:\/\/scholar.google.com\/citations?hl=pl&amp;user=YbP5sgYAAAAJ\">https:\/\/scholar.google.com\/citations?hl=pl&amp;user=YbP5sgYAAAAJ<\/a><\/span><\/p>\n<p><span style=\"font-size: 12pt;\"><a href=\"https:\/\/silesian.academia.edu\/S%25C5%2582awomirMas%25C5%2582o%25C5%2584\">https:\/\/silesian.academia.edu\/S%C5%82awomirMas%C5%82o%C5%84<\/a><\/span><\/p>\n<p><span style=\"font-size: 12pt;\"><a href=\"https:\/\/www.researchgate.net\/profile\/Slawomir-Maslon\">https:\/\/www.researchgate.net\/profile\/Slawomir-Maslon<\/a><\/span><\/p>\n<p><span style=\"font-size: 12pt;\"><strong>Degrees<\/strong>:<\/span><\/p>\n<ul>\n<li><span style=\"font-size: 12pt;\">2009 \u2013 habilitation; dissertation title: \u201e<em>P\u00e8re<\/em>-Versions of the Truth. The Novels of J. M. Coetzee\u201d (Katowice: Wydawnictwo Uniwersytetu \u015al\u0105skiego, 2007).<\/span><\/li>\n<li><span style=\"font-size: 12pt;\">1999 \u2013 Ph.D.; dissertation title: \u201eStating the Obvious: Borders of Representation and the Presence of the Body in the Works of Paul Celan and Samuel Beckett\u201d (The University of Silesia in Katowice).<\/span><\/li>\n<li><span style=\"font-size: 12pt;\">1993 \u2013 M.A.; dissertation title: \u201eReJoycing the Wake? Three Texts Concerning Dooleysprudence\u201d (The University of Silesia in Katowice).<\/span><\/li>\n<\/ul>\n<p><span style=\"font-size: 12pt;\"><strong>Research interests<\/strong>:<\/span><\/p>\n<ul>\n<li><span style=\"font-size: 12pt;\">psychoanalysis<\/span><\/li>\n<li><span style=\"font-size: 12pt;\">literary theory<\/span><\/li>\n<li><span style=\"font-size: 12pt;\">culture theory<\/span><\/li>\n<li><span style=\"font-size: 12pt;\">modernism<\/span><\/li>\n<li><span style=\"font-size: 12pt;\">film studiers<\/span><\/li>\n<li><span style=\"font-size: 12pt;\">art history<\/span><\/li>\n<li><span style=\"font-size: 12pt;\">radical thought<\/span><\/li>\n<\/ul>\n<p><span style=\"font-size: 12pt;\"><strong>Selected publications:<\/strong><\/span><\/p>\n<p><span style=\"font-size: 12pt;\"><strong>Monographs<\/strong>:<\/span><\/p>\n<ul>\n<li><span style=\"font-size: 12pt;\"><em>Secret Violences: The Political Cinema of Michelangelo Antonioni, 1960-1975<\/em> (London: Bloomsbury, 2023).<\/span><\/li>\n<li><span style=\"font-size: 12pt;\">P\u00e8re-<em>versions of the Truth: The Novels of J. M. Coetzee. <\/em><em>Expanded Second Edition<\/em> (Katowice: Wydawnictwo Uniwersytetu \u015al\u0105skiego, 2018).<\/span><\/li>\n<li><span style=\"font-size: 12pt;\"><em>Stating the Obvious: Celan\u2013Beckett\u2013Nauman<\/em> (Katowice: Wydawnictwo Uniwersytetu \u015al\u0105skiego, 2012).<\/span><\/li>\n<li><span style=\"font-size: 12pt;\"><em>Coetzee. Przewodnik Krytyki Politycznej<\/em> (Warszawa: Wydawnictwo Krytyki Politycznej, 2009).<\/span><\/li>\n<li><span style=\"font-size: 12pt;\">P\u00e8re-<em>Versions of the Truth: The Novels of J. M. Coetzee<\/em> (Katowice: Wydawnictwo Uniwersytetu \u015al\u0105skiego, 2007).<\/span><\/li>\n<\/ul>\n<p><strong><span style=\"font-size: 12pt;\">Editor:<\/span><\/strong><\/p>\n<ul>\n<li><span style=\"font-size: 12pt;\"><em>Affinities: Essays in Honour of Professor Tadeusz Rachwa\u0142<\/em>, ed. Agnieszka Pantuchowicz and S\u0142awomir Mas\u0142o\u0144 (Frankfurt am Main: Peter Lang, 2014).<\/span><\/li>\n<li><span style=\"font-size: 12pt;\"><em>Reciprocities: Essays in Honour of<\/em><em> Professor Tadeusz Rachwa\u0142<\/em>, ed. Agnieszka Pantuchowicz and S\u0142awomir Mas\u0142o\u0144 (Katowice: Wydawnictwo Uniwersytetu \u015al\u0105skiego, 2014).<\/span><\/li>\n<li><span style=\"font-size: 12pt;\"><em>Er(r)go<\/em>, nr 16 (1\/2008) \u201e\u015amie(r)ci psychoanalizy\u201d<\/span><\/li>\n<\/ul>\n<p><strong><span style=\"font-size: 12pt;\">Articles:<\/span><\/strong><\/p>\n<ul>\n<li><span style=\"font-size: 12pt;\">\u201cLooking for Something New: Antonioni&#8217;s <em>La notte<\/em> and Specters of Femininity,\u201d <em>Camera Obscura<\/em>, vol. 37, no. 1 (109)\/ 2022, 115\u2013147.<\/span><\/li>\n<li><span style=\"font-size: 12pt;\">\u201cProstitution and Art: Picasso\u2019s <em>Les Demoiselles d\u2019Avignon<\/em> and the Vicissitudes of Authenticity,\u201d\u00a0 <em>Er(r)go<\/em> nr 40 (1\/2020), 171-84.<\/span><\/li>\n<li><span style=\"font-size: 12pt;\">\u201ePielgrzymuj\u0105c do Zabriskie Point: Antonioni i sielanka zwana USA\u201d,<em> Kwartalnik Filmowy<\/em> 107\/2019, 8-23.<\/span><\/li>\n<li><span style=\"font-size: 12pt;\">\u201eSens w maszynie: Buster Keaton i <em>Genera\u0142,<\/em>\u201d<em> Kwartalnik Filmowy<\/em> 99\/2017, 172-180.<\/span><\/li>\n<li><span style=\"font-size: 12pt;\">\u201eW.G. Sebald czuje. Melancholiczny zawr\u00f3t g\u0142owy,\u201d \u00a0<em>Teksty Drugie<\/em> 5\/2016, 240-256.<\/span><\/li>\n<li><span style=\"font-size: 12pt;\">\u201e\u00bfEs bonito, verdad?\u201d <em>Zaw\u00f3d: reporter<\/em> jako transcendencja pozioma,\u201d <em>Kwartalnik Filmowy<\/em> 96\/2016, 178-188.<\/span><\/li>\n<li><span style=\"font-size: 12pt;\">\u201eCo dzwoni nam w uszach? Od ciszy Cage\u2019a do krzyku Sch\u00f6nberga i z powrotem,\u201d <em>Er(r)go<\/em> nr 33 (2\/2016), 47-57.<\/span><\/li>\n<li><span style=\"font-size: 12pt;\">\u201cThe Passion of <em>Antichrist<\/em>, Or How to Educate Your Therapist,\u201d in <em>Nature(s): Environments We Live by in Literary and Cultural Discourses, <\/em>ed. Jacek Mydla, Agata Wilczek, Tomasz Gnat (Katowice: Wydawnictwo Uniwersytetu \u015al\u0105skiego, 2014), 162-175.<\/span><\/li>\n<li><span style=\"font-size: 12pt;\">\u201c\u2018But this place is too cold for hell\u2019: The Porter as an Interpreter of <em>Macbeth<\/em>,\u201d <em>Orbis Linguarum, <\/em>40 (2014), ed. Edward Bia\u0142ek, Krzysztof Huszcza, Ewa Rychter, 531-544.<\/span><\/li>\n<li><span style=\"font-size: 12pt;\">\u201eAudio-grafia. Znaczenie i irracjonalno\u015b\u0107 w muzyce,\u201d in <em>Musica inter artes. Muzyka \u2013 sztuki plastyczne \u2013 teatr \u2013 literatura \u2013 filozofia<\/em>, ed. Stanis\u0142aw Kosz, Marcin Trz\u0119siok (Katowice: Akademia Muzyczna im. K. Szymanowskiego, 2013), 23-28.<\/span><\/li>\n<li><span style=\"font-size: 12pt;\">\u201cThe South African Sublime: J. M. Coetzee and Autobiography in the New Millennium\u201d, in <em>Beyond<\/em> <em>2000: The Recent Novel in English<\/em>, ed. Ewa Rychter (Wa\u0142brzych: Wydawnictwo Pa\u0144stwowej Wy\u017cszej Szko\u0142y Zawodowej im. Angelusa Silesiusa w Wa\u0142brzychu, 2011), 169-184.<\/span><\/li>\n<li><span style=\"font-size: 12pt;\">\u201e\u017bywa \u015bmier\u0107, martwe \u017cycie: Lacan, Badiou i utracony skarb liberalizmu\u201d, <em>Er(r)go<\/em>, nr 16 (1\/2008), 41-58.<\/span><\/li>\n<li><span style=\"font-size: 12pt;\">\u201cWaste Unlimited? High Culture and Its Excrements,\u201d in <em>Rubbish, Waste, and Litter: Culture and Its Refuse\/als<\/em>, ed. Tadeusz Rachwa\u0142 (Warszawa: Wydawnictwo Szko\u0142y Wy\u017cszej Psychologii Spo\u0142ecznej, 2008), 91-101.<\/span><\/li>\n<\/ul>\n<p>\n<\/div>\r\n                    <\/div>\r\n                <\/div>[\/vc_tta_section][\/vc_tta_tabs][\/vc_column][vc_column width=&#8221;1\/3&#8243;]\r\n                <div class=\"text-modules\">\r\n                    <div class=\"container\">\r\n                        \r\n                        <div class=\"text-modules__content\"><\/p>\n<p>&nbsp;<\/p>\n<p><img class=\"alignnone wp-image-2408 size-full\" src=\"https:\/\/us.edu.pl\/instytut\/il\/wp-content\/uploads\/sites\/27\/Nieprzypisane\/S\u0142awomir-Mas\u0142o\u0144.jpg\" alt=\"S\u0142awomir Mas\u0142o\u0144 - zdj\u0119cie profilowe\" width=\"249\" height=\"397\" srcset=\"https:\/\/us.edu.pl\/instytut\/il\/wp-content\/uploads\/sites\/27\/Nieprzypisane\/S\u0142awomir-Mas\u0142o\u0144.jpg 249w, https:\/\/us.edu.pl\/instytut\/il\/wp-content\/uploads\/sites\/27\/Nieprzypisane\/S\u0142awomir-Mas\u0142o\u0144-188x300.jpg 188w\" sizes=\"(max-width: 249px) 100vw, 249px\" \/><\/p>\n<\/div>\r\n                    <\/div>\r\n                <\/div>[\/vc_column][\/vc_row]<\/p>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column width=&#8221;2\/3&#8243;][vc_tta_tabs][vc_tta_section title=&#8221;POLISH&#8221; tab_id=&#8221;1613650928910-c9b87dea-5d57&#8243;][\/vc_tta_section][vc_tta_section title=&#8221;ENGLISH&#8221; tab_id=&#8221;1613650928945-f4d943c3-6c13&#8243;][\/vc_tta_section][\/vc_tta_tabs][\/vc_column][vc_column width=&#8221;1\/3&#8243;][\/vc_column][\/vc_row] [&#8230;]<\/p>\n<p><a class=\"btn btn-secondary understrap-read-more-link\" href=\"https:\/\/us.edu.pl\/instytut\/il\/osoby\/slawomir-maslon\/\">Read More&#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"template":"","meta":{"_expiration-date-status":"","_expiration-date":0,"_expiration-date-type":"","_expiration-date-categories":[],"_expiration-date-options":[]},"acf":[],"_links":{"self":[{"href":"https:\/\/us.edu.pl\/instytut\/il\/wp-json\/wp\/v2\/osoby\/275"}],"collection":[{"href":"https:\/\/us.edu.pl\/instytut\/il\/wp-json\/wp\/v2\/osoby"}],"about":[{"href":"https:\/\/us.edu.pl\/instytut\/il\/wp-json\/wp\/v2\/types\/osoby"}],"author":[{"embeddable":true,"href":"https:\/\/us.edu.pl\/instytut\/il\/wp-json\/wp\/v2\/users\/1"}],"version-history":[{"count":7,"href":"https:\/\/us.edu.pl\/instytut\/il\/wp-json\/wp\/v2\/osoby\/275\/revisions"}],"predecessor-version":[{"id":4322,"href":"https:\/\/us.edu.pl\/instytut\/il\/wp-json\/wp\/v2\/osoby\/275\/revisions\/4322"}],"wp:attachment":[{"href":"https:\/\/us.edu.pl\/instytut\/il\/wp-json\/wp\/v2\/media?parent=275"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}