{"id":304,"date":"2020-02-20T15:25:35","date_gmt":"2020-02-20T14:25:35","guid":{"rendered":"http:\/\/us.edu.pl\/instytut\/il\/?post_type=osoby&p=304"},"modified":"2026-01-08T07:16:05","modified_gmt":"2026-01-08T06:16:05","slug":"agnieszka-pospiech","status":"publish","type":"osoby","link":"https:\/\/us.edu.pl\/instytut\/il\/osoby\/agnieszka-pospiech\/","title":{"rendered":"Agnieszka Po\u015bpiech"},"content":{"rendered":"

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prof. dr hab. Agnieszka Adamowicz-Po\u015bpiech<\/strong><\/span><\/p>\n

agnieszka.pospiech@us.edu.pl<\/a><\/span><\/p>\n

ORCID 0000-0002-2251-434X<\/span><\/p>\n

https:\/\/silesian.academia.edu\/AgnieszkaAdamowiczPo%C5%9Bpiech<\/a><\/span><\/p>\n

https:\/\/www.researchgate.net\/profile\/Agnieszka-Pospiech<\/a><\/span><\/p>\n

Jestem absolwentk\u0105 Instytutu Filologii Angielskiej na Uniwersytecie Jagiello\u0144skim, literaturoznawczyni\u0105 i przek\u0142adoznawczyni\u0105. Doktorat zatytu\u0142owany: Joseph Conrad \u2013 spory o biografi\u0119 <\/em>\u00a0(Katowice 2003) obroni\u0142am na Uniwersytecie \u015al\u0105skim. Podstaw\u0105 habilitacji by\u0142a monografia z zakresu przek\u0142adoznawstwa pt. Seria w przek\u0142adzie <\/em>(Katowice 2013). Kierowa\u0142am zespo\u0142em badawczym \u201eTheatrum\u201d. Od 2024 r. jestem prezesem Polskiego Towarzystwa Conradowskiego (UJ, Krak\u00f3w). Jestem cz\u0142onkiem rad naukowych czasopism \u201eConradiana\u201d\u00a0 (USA), \u201eYearbook of Conrad Studies\u201d (Poland) i \u201eThe Conradian\u201d (UK). W ramach pracy dydaktycznej zajmuj\u0119 si\u0119 przede wszystkim nauczaniem teorii, krytyki oraz praktyki przek\u0142adu. Moje zainteresowania badawcze obejmuj\u0105 powie\u015b\u0107 i dramat brytyjski oraz kultur\u0119 wizualn\u0105 i adaptacje.<\/span><\/p>\n

Lista najwa\u017cniejszych publikacji<\/strong><\/span><\/p>\n

Monografie autorskie:<\/strong><\/span><\/p>\n

    \n
  1. Adaptacje biografii i tw\u00f3rczo\u015bci Josepha Conrada w kulturze wsp\u00f3\u0142czesnej,\u00a0<\/em>Katowice 2022.<\/span><\/li>\n
  2. Podr\u00f3\u017ce z Conradem, <\/em>Krak\u00f3w 2016.<\/span><\/li>\n
  3. Seria w przek\u0142adzie,\u00a0<\/em>Katowice 2013.<\/span><\/li>\n
  4. Lord Jim Conrada. Interpretacje, <\/em>Krak\u00f3w 2007.<\/span><\/li>\n
  5. Joseph Conrad \u2013 spory o biografi\u0119, <\/em>Katowice\u00a0 2003.<\/span><\/li>\n<\/ol>\n

    Artyku\u0142y:<\/strong><\/span><\/p>\n

      \n
    1. \u201cRetranslations of Aldous Huxley\u2019s Brave New World <\/em>in Poland\u201d.\u00a0 A Journal of English Studies<\/em>, 46, 2024, s. 41\u201359.<\/span><\/li>\n
    2. \u201cJatinder Verma\u2019s Binglishing the British Stage. Tradaptation of Tartuffe<\/em> As a Case in Point\u201d.\u00a0Studia Anglica Posnaniensia<\/em>, vol. 59, no. 1, 2024, pp. 233\u2013246.<\/span><\/li>\n
    3. \u201cFrom Adaptation to Autonomy: Conrad\u2019s Heart of Darkness<\/em>\u2019 in French and English Graphic Novels\u201d. W: Conrad\u2019s Presence in Contemporary Culture: Adaptations and Appropriations. <\/em>Ed. A. Adamowicz-Po\u015bpiech, N. Martiniere, V. Pauly, J. Paccaud. Brill 2024, s. 76-113.<\/span><\/li>\n
    4. \u201cContemporary Reimaginings of Heart of Darkness. Perspektywy Kultury <\/em>2024, 45:2, s.<\/em> 299-312.<\/span><\/li>\n
    5. \u201cGlobal Graphic Afterlives\u201d. W: The Routledge Companion to Joseph Conrad. <\/em>Ed. D. Romanick-Baldwin. New York: Routledge 2024, s. 316-338.<\/span><\/li>\n
    6. \u201cConrad\u2019s Afterlife. Adaptations of Conrad\u2019s Biography in Polish Contemporary Culture\u201d in: A. Adamowicz-Po\u015bpiech, B. Kavanagh (eds) et al.,\u00a0Conrad Without Borders,\u00a0<\/em>London: Bloomsbury 2022, s. 30-51.<\/span><\/li>\n
    7. \u201cThe Reception of J. Conrad in Poland (1896-2018)\u201d w: \u00a0 R. Hampson (ed.),\u00a0The Reception of Joseph Conrad in Europe,\u00a0<\/em>London: Bloomsbury 2022, s. 21-34.<\/span><\/li>\n
    8. \u201eFrom Berdycz\u00f3w to Bishopsbourne\u201d. W:\u00a0Migration, Modernity and Transnationalism<\/em>. Ed. K. Salmons, T. Zulli, Bloomsbury Publishing, 2021, s. 51-72.<\/span><\/li>\n
    9. \u201eTransfer kulturowy w przek\u0142adzie dramat\u00f3w na scen\u0119: tradaptacje Jatindera Vermy\u201d.\u00a0Er(r)go<\/em>, nr 39, [z.] 2, 2019, s. 69-86.<\/span><\/li>\n
    10. \u201ePrzyjd\u017a i poznaj mnie\u201d: refrakcje, adaptacje i symplifikacje\u00a0J\u0105dra ciemno\u015bci<\/em>\u00a0w kulturze polskiej XXI wieku\u201d,\u00a0Rocznik Przek\u0142adoznawczy<\/em>. 2019, t. 14, s. 17-41.<\/span><\/li>\n
    11. \u201cHarold Pinter\u2019s Screenplay of \u201cVictory\u201d and Its BBC Adaptation\u201d.\u00a0The<\/em>\u00a0Conradian,<\/em>\u00a02018, 43:1, s. 81-93.<\/span><\/li>\n<\/ol>\n

      Prace redagowane:<\/strong><\/span><\/p>\n

        \n
      1. The Resonance of Joseph Conrad in Contemporary Culture<\/em>. Agnieszka Adamowicz-Po\u015bpiech. Oxford: Berghahn Books, 2025.<\/span><\/li>\n
      2. Spectral Conrad. <\/em> Agnieszka Adamowicz-Po\u015bpiech. New York: Columbia University Press & UMCS Press, 2025.\u00a0<\/span><\/li>\n
      3. Conrad\u2019s Presence in Contemporary Culture: Adaptations and Appropriations. <\/em>Ed. A. Adamowicz-Po\u015bpiech, N. Martiniere, V. Pauly, J. Paccaud. Brill 2024.<\/span><\/li>\n
      4. Conrad Without Borders: Transcultural and Transtextual Perspectives.\u00a0<\/em>Eds B. Kavanagh, G. Branny, A. Adamowicz-Po\u015bpiech. London: Bloomsbury 2022.<\/span><\/li>\n
      5. Beyond Borders: Transgressions in European Literatures<\/em>. Hrsg. Agnieszka Adamowicz-Po\u015bpiech, Renata Dampc-Jarosz, Andrzej Rabsztyn. G\u00f6ttingen: V&R Unipress, 2021.<\/span><\/li>\n
      6. Identity Issues in European Literatures<\/em>. Hrsg. Agnieszka Adamowicz-Po\u015bpiech, Renata Dampc-Jarosz, Joanna Warmuzi\u0144ska-Rog\u00f3\u017c. G\u00f6ttingen: V&R Unipress, 2021.<\/span><\/li>\n
      7. Cultural and Linguistic Issues in Translation<\/em>. Eds. Wac\u0142aw M. Osadnik, Agnieszka Adamowicz-Po\u015bpiech. Katowice 2019.<\/span><\/li>\n<\/ol>\n

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        Agnieszka Adamowicz-Po\u015bpiech, PhD, DLitt
        \nProfessor in the Institute of Literary Studies\u00a0\u00a0<\/strong><\/span><\/p>\n

        agnieszka.pospiech@us.edu.pl<\/a><\/span><\/p>\n

        ORCID 0000-0002-2251-434X<\/span><\/p>\n

        https:\/\/silesian.academia.edu\/AgnieszkaAdamowiczPo%C5%9Bpiech<\/a><\/span><\/p>\n

        https:\/\/www.researchgate.net\/profile\/Agnieszka-Pospiech<\/a><\/span><\/p>\n

        Agnieszka Adamowicz-Po\u015bpiech graduated from the Institute of English Philology at the Jagiellonian University. She received her PhD from the University of Silesia (Joseph Conrad \u2013 spory o biografi\u0119,\u00a0<\/em>Katowice 2003. She became the assistant professor on the basis of the monograph on Translation Studies (Seria w przek\u0142adzie,\u00a0<\/em>Katowice 2013). She was the head of the research group \u201eTheatrum\u201d. Since 2024 she has been the President of the Joseph Conrad Society Poland (UJ, Krak\u00f3w). She is a member of such journal editorial boards as \u201eConradiana\u201d (USA), \u201eYearbook of Conrad Studies\u201d (Poland) and \u201eThe Conradian\u201d (UK). She teaches Translation Studies. Her research interests encompass British novels, drama, and visual culture (adaptation and comics studies).\u00a0<\/span><\/p>\n

        Monographs:<\/strong><\/span><\/p>\n

          \n
        1. Adaptacje biografii i tw\u00f3rczo\u015bci Josepha Conrada w kulturze wsp\u00f3\u0142czesnej,\u00a0<\/em>Katowice 2022.<\/span><\/li>\n
        2. Podr\u00f3\u017ce z Conradem, <\/em>Krak\u00f3w 2016.<\/span><\/li>\n
        3. Seria w przek\u0142adzie,\u00a0<\/em>Katowice 2013.<\/span><\/li>\n
        4. Lord Jim Conrada. Interpretacje, <\/em>Krak\u00f3w 2007.<\/span><\/li>\n
        5. Joseph Conrad \u2013 spory o biografi\u0119, <\/em>Katowice\u00a0 2003.<\/span><\/li>\n<\/ol>\n

          Articles in journals & book chapters:<\/strong><\/span><\/p>\n

            \n
          1. \u201cRetranslations of Aldous Huxley\u2019s Brave New World <\/em>in Poland\u201d.\u00a0 A Journal of English Studies<\/em>, 46, 2024, p. 41\u201359.<\/span><\/li>\n
          2. \u201cJatinder Verma\u2019s Binglishing the British Stage. Tradaptation of Tartuffe<\/em> As a Case in Point\u201d.\u00a0Studia Anglica Posnaniensia<\/em>, vol. 59, no. 1, 2024, pp. 233\u2013246.<\/span><\/li>\n
          3. \u201cFrom Adaptation to Autonomy: Conrad\u2019s Heart of Darkness<\/em>\u2019 in French and English Graphic Novels\u201d. In: Conrad\u2019s Presence in Contemporary Culture: Adaptations and Appropriations. <\/em>Ed. A. Adamowicz-Po\u015bpiech, N. Martiniere, V. Pauly, J. Paccaud. Brill 2024, pp. 76-113.<\/span><\/li>\n
          4. \u201cContemporary Reimaginings of Heart of Darkness. Perspektywy Kultury <\/em>2024, 45:2, pp.<\/em> 299-312.<\/span><\/li>\n
          5. \u201cGlobal Graphic Afterlives\u201d. In: The Routledge Companion to Joseph Conrad. <\/em>Ed. D. Romanick-Baldwin. New York: Routledge 2024, pp. 316-338.<\/span><\/li>\n
          6. \u201cConrad\u2019s Afterlife. Adaptations of Conrad\u2019s Biography in Polish Contemporary Culture\u201d in: A. Adamowicz-Po\u015bpiech, B. Kavanagh (eds) et al.,\u00a0Conrad Without Borders,\u00a0<\/em>London: Bloomsbury 2022, p. 32-58<\/span><\/li>\n
          7. \u201cThe Reception of J. Conrad in Poland (1896-2018)\u201d. In\u00a0 R. Hampson (ed.),\u00a0The Reception of Joseph Conrad in Europe,\u00a0<\/em>London: Bloomsbury 2022, p. 21-34.<\/span><\/li>\n
          8. \u201eFrom Berdycz\u00f3w to Bishopsbourne\u201d. In\u00a0Migration, Modernity and Transnationalism<\/em>. Eds. K. Salmons, T. Zulli, Bloomsbury Publishing, 2021, p. 51-72.<\/span><\/li>\n
          9. \u201eTransfer kulturowy w przek\u0142adzie dramat\u00f3w na scen\u0119: tradaptacje Jatindera Vermy\u201d.\u00a0Er(r)go<\/em>, 39: 2, 2019, p. 69-86.<\/span><\/li>\n
          10. \u201ePrzyjd\u017a i poznaj mnie\u201d: refrakcje, adaptacje i symplifikacje\u00a0J\u0105dra ciemno\u015bci<\/em>\u00a0w kulturze polskiej XXI wieku\u201d,\u00a0Rocznik Przek\u0142adoznawczy<\/em>. 2019, vol. 14, p. 17-41.<\/span><\/li>\n
          11. \u201cHarold Pinter\u2019s Screenplay of \u201cVictory\u201d and Its BBC Adaptation\u201d.\u00a0The<\/em>\u00a0Conradian,<\/em>\u00a02018, 43:1, p. 81-93.<\/span><\/li>\n<\/ol>\n

            Edited collections of essays:<\/strong><\/span><\/p>\n

              \n
            1. The Resonance of Joseph Conrad in Contemporary Culture<\/em>. Agnieszka Adamowicz-Po\u015bpiech. Oxford: Berghahn Books, 2025.<\/span><\/li>\n
            2. Spectral Conrad. <\/em>E Agnieszka Adamowicz-Po\u015bpiech. New York: Columbia University Press & UMCS Press, 2025.\u00a0<\/span><\/li>\n
            3. Conrad\u2019s Presence in Contemporary Culture: Adaptations and Appropriations. <\/em>Ed. A. Adamowicz-Po\u015bpiech, N. Martiniere, V. Pauly, J. Paccaud. Brill 2024.<\/span><\/li>\n
            4. Conrad Without Borders: Transcultural and Transtextual Perspectives.\u00a0<\/em>Eds B. Kavanagh, G. Branny, A. Adamowicz-Po\u015bpiech. London: Bloomsbury 2022.<\/span><\/li>\n
            5. Beyond Borders: Transgressions in European Literatures<\/em>. Hrsg. Agnieszka Adamowicz-Po\u015bpiech, Renata Dampc-Jarosz, Andrzej Rabsztyn. G\u00f6ttingen: V&R Unipress, 2021.<\/span><\/li>\n
            6. Identity Issues in European Literatures<\/em>. Hrsg. Agnieszka Adamowicz-Po\u015bpiech, Renata Dampc-Jarosz, Joanna Warmuzi\u0144ska-Rog\u00f3\u017c. G\u00f6ttingen: V&R Unipress, 2021.<\/span><\/li>\n
            7. Cultural and Linguistic Issues in Translation<\/em>. Eds. Wac\u0142aw M. Osadnik, Agnieszka Adamowicz-Po\u015bpiech. Katowice 2019.<\/span><\/li>\n<\/ol>\n

              Academic outreach and engagement:<\/strong><\/span><\/p>\n

                \n
              1. Introductions & lectures at Joseph Conrad Season. <\/em>Joseph Conrad Film Festival, London. 1.11-9.11.2025.<\/span><\/li>\n
              2. Lecture & discussion at Joseph Conrad Panel<\/em>. British Library, London, 7.11.2025.<\/span><\/li>\n
              3. Organization and chairing of the 3rd<\/sup> Conrad Symposium:\u00a0 Joseph Conrad in Contemporary Culture,\u00a0<\/em>Polska Akademia Naukowa, Centre Scientifique \u00e0 Paris, Pary\u017c, 25-26.09.2025.<\/span><\/li>\n
              4. Co-organisation of the conference: Joseph Conrad-Korzeniowski. W stulecie \u015bmierci at The Polish Social and Cultural Association, London, 8 September 2024.<\/span><\/li>\n
              5. Organization and chairing of the symposium:\u00a0The Resonance of Joseph Conrad in the 21st<\/sup> Century,\u00a0<\/em>Polska Akademia Naukowa, Centre Scientifique \u00e0 Paris, Pary\u017c, 28-29.09.2023.<\/span><\/li>\n
              6. The Philip J. Conrad Memorial Lecture, a public lecture entitled\u00a0 The Napoleonic Era in Conrad’s Work: Polish Perspectives, <\/em>at The Polish Social and Cultural Association, London, 7 July 2023.<\/span><\/li>\n
              7. Organization and chairing the symposium:\u00a0Transcultural biography and oeuvre of Joseph Conrad-Korzeniowski and its reverberations with contemporary artists,\u00a0<\/em>PAN, Paris, 16-17.09.2021.<\/span><\/li>\n
              8. Joseph Conrad Study Day<\/em>, British Library & Polish Cultural Institute, London \u2013 a public lecture entitled\u00a0Conrad\u2019s Polish Reception,\u00a0<\/em>12-14 March 2017.<\/span><\/li>\n
              9. Con-Text Festival,<\/em>National Naval Museum, Gda\u0144sk \u2013 a public lecture entitled\u00a0Heart(s) of Darkness Today<\/em>, 25-26 September 2018.<\/span><\/li>\n<\/ol>\n

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                [vc_row][vc_column width=”2\/3″][vc_tta_tabs][vc_tta_section title=”POLISH” tab_id=”1614588448476-5126c3e0-7c85″][\/vc_tta_section][vc_tta_section title=”ENGLISH” tab_id=”1614588448522-6403ae36-6b82″][\/vc_tta_section][\/vc_tta_tabs][\/vc_column][vc_column width=”1\/3″][\/vc_column][\/vc_row][vc_column][\/vc_column][vc_column][\/vc_column][vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row] […]<\/p>\n

                Read More…<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"template":"","meta":{"_expiration-date-status":"","_expiration-date":0,"_expiration-date-type":"","_expiration-date-categories":[],"_expiration-date-options":[]},"acf":[],"_links":{"self":[{"href":"https:\/\/us.edu.pl\/instytut\/il\/wp-json\/wp\/v2\/osoby\/304"}],"collection":[{"href":"https:\/\/us.edu.pl\/instytut\/il\/wp-json\/wp\/v2\/osoby"}],"about":[{"href":"https:\/\/us.edu.pl\/instytut\/il\/wp-json\/wp\/v2\/types\/osoby"}],"author":[{"embeddable":true,"href":"https:\/\/us.edu.pl\/instytut\/il\/wp-json\/wp\/v2\/users\/1"}],"version-history":[{"count":11,"href":"https:\/\/us.edu.pl\/instytut\/il\/wp-json\/wp\/v2\/osoby\/304\/revisions"}],"predecessor-version":[{"id":6299,"href":"https:\/\/us.edu.pl\/instytut\/il\/wp-json\/wp\/v2\/osoby\/304\/revisions\/6299"}],"wp:attachment":[{"href":"https:\/\/us.edu.pl\/instytut\/il\/wp-json\/wp\/v2\/media?parent=304"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}