{"id":1361,"date":"2021-03-05T09:34:23","date_gmt":"2021-03-05T08:34:23","guid":{"rendered":"https:\/\/us.edu.pl\/instytut\/inok\/?post_type=osoby&#038;p=1361"},"modified":"2022-05-09T13:54:07","modified_gmt":"2022-05-09T11:54:07","slug":"agnieszka-tambor","status":"publish","type":"osoby","link":"https:\/\/us.edu.pl\/instytut\/inok\/osoby\/agnieszka-tambor\/","title":{"rendered":"Agnieszka Tambor"},"content":{"rendered":"<p>[vc_row][vc_column width=&#8221;2\/3&#8243;][vc_tta_tabs][vc_tta_section title=&#8221;POLISH&#8221; tab_id=&#8221;1630587127905-76906bf6-88bb&#8221;]\r\n                <div class=\"text-modules\">\r\n                    <div class=\"container\">\r\n                        \r\n                        <div class=\"text-modules__content\"><p><strong>dr Agnieszka Tambor<\/strong><\/p>\n<p><strong>Kierownik Centrum J\u0119zyka i Kultury Chi\u0144skiej<\/strong><\/p>\n<p>e-mail:\u00a0<a href=\"mailto:agnieszka.tambor@us.edu.pl\">agnieszka.tambor@us.edu.pl<\/a><\/p>\n<p><a href=\"https:\/\/orcid.org\/0000-0003-1536-8986\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>https:\/\/orcid.org\/0000-0003-1536-8986<\/strong><\/a><\/p>\n<p><strong>Tematyka badawcza:<\/strong><\/p>\n<ul>\n<li>wsp\u00f3\u0142czesne kino polskie,<\/li>\n<li>zagadnienie kina gatunk\u00f3w,<\/li>\n<li>wykorzystanie filmu i\u00a0serialu w\u00a0glottodydaktyce,<\/li>\n<li>serial telewizyjny,<\/li>\n<li>t\u0142umaczenia kulturowe.<\/li>\n<\/ul>\n<p><strong>Stopnie i tytu\u0142y naukowe:<\/strong><\/p>\n<p><strong>Doktorat<\/strong><\/p>\n<p>2015 \u2013 Film jako przedmiot i narz\u0119dzie nauczania kultury polskiej i j\u0119zyka polskiego jako obcego, Wydzia\u0142 Filologiczny, Uniwersytet \u015al\u0105ski.<\/p>\n<p><strong>Wybrane publikacje:<\/strong><\/p>\n<ol>\n<li>Female Revolution behind the Camera. &#8222;Postscriptum Polonistyczne&#8221; 2021, nr 1, s. 193-214.<\/li>\n<li>Polska p\u00f3\u0142ka historyczna : 100 fakt\u00f3w z historii polski, kt\u00f3re ka\u017cdy cudzoziemiec zna\u0107 powinien, red. Agnieszka Tambor, wsp\u00f3\u0142pr. red. Justyna Budzik. Wydawnictwo Gnome, Katowice 2020, ss. 130. ISBN 978-83-63268-62-6.<\/li>\n<li>P\u00f3\u0142ka filmowa 2019. &#8222;Postscriptum Polonistyczne&#8221; 2020, nr 1, s. 284-308.<\/li>\n<li>Film jako narz\u0119dzie pomocnicze w procesie adaptacji migrant\u00f3w \u2013 imigrant\u00f3w i uchod\u017ac\u00f3w. &#8222;Postscriptum Polonistyczne&#8221; 2019, nr 2, s. 259-272.<\/li>\n<li>Licz na Banacha : podr\u0119cznik do nauczania polskiego s\u0142ownictwa specjalistycznego dla cudzoziemc\u00f3w. Wydawnictwo Uniwersytetu \u015al\u0105skiego. Katowice 2019, ss. 112. ISBN 978-83-226-3853-8.<\/li>\n<li>P\u00f3\u0142ka filmowa 2018. &#8222;Postscriptum Polonistyczne&#8221; 2019, nr 1, s. 279-288.<\/li>\n<li>O ekspertyzie nt. promocji i uczenia j\u0119zyka polskiego w \u015bwiecie. &#8222;Postscriptum Polonistyczne&#8221; 2018, nr 2, s. 265-272.<\/li>\n<\/ol>\n<p>\n<\/div>\r\n                    <\/div>\r\n                <\/div>[\/vc_tta_section][vc_tta_section title=&#8221;ENGLISH&#8221; tab_id=&#8221;1630587127920-6c006909-ad84&#8243;]\r\n                <div class=\"text-modules\">\r\n                    <div class=\"container\">\r\n                        \r\n                        <div class=\"text-modules__content\"><p><strong>Agnieszka Tambor, PhD<br \/>\n<\/strong><strong>Assistant Professor in<\/strong> <strong>the Institute of Culture S<\/strong><strong>tudies, the University of Silesia in Katowice<\/strong><\/p>\n<p><strong>The <\/strong><strong>Interdisciplinary Centre for Research on Humanistic Education<\/strong><\/p>\n<p><a href=\"mailto:agnieszka.tambor@us.edu.pl\">agnieszka.tambor@us.edu.pl<\/a><\/p>\n<p>ORCID <a href=\"https:\/\/orcid.org\/0000-0003-1536-8986\" target=\"_blank\" rel=\"noopener\">0000-0003-1536-8986<\/a><\/p>\n<p><a href=\"https:\/\/www.researchgate.net\/profile\/Agnieszka_Tambor\" target=\"_blank\" rel=\"noopener\">https:\/\/www.researchgate.net\/profile\/Agnieszka_Tambor<\/a><\/p>\n<p><a href=\"https:\/\/scholar.google.pl\/citations?hl=pl&amp;user=A_z8_iAAAAAJ\" target=\"_blank\" rel=\"noopener\">https:\/\/scholar.google.pl\/citations?hl=pl&amp;user=A_z8_iAAAAAJ<\/a><\/p>\n<p><a href=\"https:\/\/silesian.academia.edu\/AgnieszkaTambor\" target=\"_blank\" rel=\"noopener\">https:\/\/silesian.academia.edu\/AgnieszkaTambor<\/a><\/p>\n<p><strong>Research interests:<\/strong><\/p>\n<ul>\n<li>film and cinema [modern cinema, Polish cinema, popular cinema, TV series],<\/li>\n<li>media education,<\/li>\n<li>glottodidactics [the use of authentic texts in didactics and glottodidactics],<\/li>\n<li>taboo in culture,<\/li>\n<li>Polish artists in Hollywood,<\/li>\n<li>cinema and literature [film adaptation, new teaching techniques, film awards, Silesian cinema],<\/li>\n<li>cultural texts as a source of the knowledge of the culture of a particular country.<\/li>\n<\/ul>\n<p><strong>Selected publications:<\/strong><\/p>\n<ol>\n<li><em>Female Revolution behind the Camera<\/em>. &#8222;Postscriptum Polonistyczne&#8221; 2021, no. 1, pp. 193-214<\/li>\n<li><em>Nauczanie i promocja j\u0119zyka polskiego w \u015bwiecie: diagnoza &#8211; stan &#8211; perspektywy<\/em> [Teaching and promoting the Polish language abroad: Diagnosis \u2014 condition \u2014 prospects], eds.: Jolanta Tambor, Bernadeta Niesporek-Szamburska; authors: W\u0142adys\u0142aw Miodunka, Jolanta Tambor, Aleksandra Achtelik, Romuald Cudak, Danuta Krzy\u017cyk, Jan Mazur, Bernadeta Niesporek-Szamburska, Kazimierz O\u017c\u00f3g, Adam Paw\u0142owski, Dorota Prasza\u0142owicz, Anna Seretny, Roman Szul, Agnieszka Tambor, Tadeusz Zg\u00f3\u0142ka, co-authors: Ma\u0142gorzata Smereczniak, Karolina Grabo\u0144. Wydawnictwo Uniwersytetu \u015al\u0105skiego, Katowice 2018, 338 pages. ISBN 978-83-226-3534-6.<\/li>\n<li><em>Nowa polska p\u00f3\u0142ka filmowa: 100 film\u00f3w, kt\u00f3re ka\u017cdy cudzoziemiec zobaczy\u0107 powinien<\/em> [A new Polish film shelf: 100 films which every foreigner should see] [co-authors: Adam Antoniewicz, Agata Rudzi\u0144ska, Justyna Budzik]. Wydawnictwo Uniwersytetu \u015al\u0105skiego, Katowice 2015, 213 pages. ISBN 978-83-63268-42-8 ; 2nd edition. Wydawnictwo Gnome, Katowice 2018, 212 pages. ISBN 978-83-63268-58-9.<\/li>\n<li><em>Adaptacja kontekstu kulturowo-historycznego w t\u0142umaczeniu tytu\u0142\u00f3w filmowych<\/em> [Adaptation of the cultural-historical context in the translation of film titles]. In: Adaptacje. [Vol.] 3, Implementacje, konwergencje, dziedziczenie. Wydawnictwo Uniwersytetu \u015al\u0105skiego, Katowice 2018, pp. 105-116.<\/li>\n<li>The Series <em>&#8222;P\u00f3\u0142ka filmowa&#8221;<\/em> [A film shelf] published in the journal Postscriptum Polonistyczne since 2010.<\/li>\n<\/ol>\n<p><strong>Research grants:<\/strong><\/p>\n<p>100 fakt\u00f3w z historii Polski, kt\u00f3re ka\u017cdy cudzoziemiec zna\u0107 powinien [100 facts from the history of Poland which every foreigner should know].<\/p>\n<p>Z kinem polskim w \u015bwiat [With the Polish cinema in the world].<\/p>\n<p><strong>Academic outreach and engagement: <\/strong><\/p>\n<ol>\n<li>The profile \u201cthe Polish Film Shelf\u201d in YouTube, Facebook, Instagram (in FB 2,8K, in YT 1K) and the website: <a href=\"http:\/\/www.polskapolkafilmowa.pl\" target=\"_blank\" rel=\"noopener\">www.polskapolkafilmowa.pl<\/a> \u2014 the project devoted to popularizing the Polish cinema among foreigners and Polish teachers.<\/li>\n<li>Regular courses and webinars on Polish culture and Polish film, as part of various projects and commissioned by external institutions (e.g. O\u015brodek Rozwoju Polskiej Edukacji za Granic\u0105 and Narodowa Agencja Wymiany Akademickiej); these are online meetings, with the participants (Poles and foreigners) from Poland and from abroad (RSA, UAE, USA, Canada, Brazil, Argentina, Korea, China, France, Germany, Great Britain, Ireland, Uzbekistan, Kazachstan, Marocco and many others) \u2014 each time there are from several dozen to several hundred participants. For example, &#8222;Jak efektownie i efektywnie uczy\u0107 online\u201d [How to teach online effectively and in an attractive way], &#8222;Czy warto ogl\u0105da\u0107 adaptacje literatury\u201d [Are literature adaptations worth watching?], &#8222;Film jako przedmiot i narz\u0119dzie nauczania kultury polskiej i j\u0119zyka polskiego jako obcego\u201d [Film as a subject and a tool of teaching Polish culture and Polish as a foreign language], &#8222;Kobieca rewolucja za kamer\u0105\u201d [Women revolution in filmmaking], &#8222;Jak wykorzysta\u0107 histori\u0119 w rozwoju kompetencji kulturowych i j\u0119zykowych\u201d [How to use history in the development of cultural and linguistic competences?], &#8222;Analiza i interpretacja dzie\u0142a filmowego\u201d [An analysis and interpretation of the film work].<\/li>\n<li>Popular science articles on topics related to the research interests, inter alia, &#8222;Jak leczy\u0107 po polsku\u201d [How to treat in Polish] published in the magazine &#8222;Pro Medico\u201d, which has a circulation of 16 000; \u201dO j\u0119zyku na wschodnich rubie\u017cach&#8221; [On the language in the eastern\u00a0 borderlands\u00a0 of Poland] in the magazine &#8222;Nowe Ksi\u0105\u017cki&#8221; published by Instytut Ksi\u0105\u017cki;\u00a0 and &#8222;An author who hated movie adaptations of his books&#8221;, devoted to Stanis\u0142aw Lem\u2019s works, in the U\u015a magazine &#8222;No Limits&#8221;.<\/li>\n<\/ol>\n<p>\n<\/div>\r\n                    <\/div>\r\n                <\/div>[\/vc_tta_section][\/vc_tta_tabs][\/vc_column][vc_column width=&#8221;1\/3&#8243;]\r\n                <div class=\"text-modules\">\r\n                    <div class=\"container\">\r\n                        \r\n                        <div class=\"text-modules__content\"><\/p>\n<p>&nbsp;<\/p>\n<p><img class=\"alignnone wp-image-1357 size-full\" src=\"https:\/\/us.edu.pl\/instytut\/inok\/wp-content\/uploads\/sites\/28\/2020\/04\/Tambor-Agnieszka.jpg\" alt=\"Agnieszka Tambor - zdj\u0119cie profilowe\" width=\"640\" height=\"800\" srcset=\"https:\/\/us.edu.pl\/instytut\/inok\/wp-content\/uploads\/sites\/28\/2020\/04\/Tambor-Agnieszka.jpg 640w, https:\/\/us.edu.pl\/instytut\/inok\/wp-content\/uploads\/sites\/28\/2020\/04\/Tambor-Agnieszka-240x300.jpg 240w, https:\/\/us.edu.pl\/instytut\/inok\/wp-content\/uploads\/sites\/28\/2020\/04\/Tambor-Agnieszka-460x575.jpg 460w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><\/p>\n<\/div>\r\n                    <\/div>\r\n                <\/div>[\/vc_column][\/vc_row]<\/p>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column width=&#8221;2\/3&#8243;][vc_tta_tabs][vc_tta_section title=&#8221;POLISH&#8221; tab_id=&#8221;1630587127905-76906bf6-88bb&#8221;][\/vc_tta_section][vc_tta_section title=&#8221;ENGLISH&#8221; tab_id=&#8221;1630587127920-6c006909-ad84&#8243;][\/vc_tta_section][\/vc_tta_tabs][\/vc_column][vc_column width=&#8221;1\/3&#8243;][\/vc_column][\/vc_row] [&#8230;]<\/p>\n<p><a class=\"btn btn-secondary understrap-read-more-link\" href=\"https:\/\/us.edu.pl\/instytut\/inok\/osoby\/agnieszka-tambor\/\">Read More&#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"template":"","meta":{"_expiration-date-status":"saved","_expiration-date":0,"_expiration-date-type":"","_expiration-date-categories":[],"_expiration-date-options":[]},"acf":[],"_links":{"self":[{"href":"https:\/\/us.edu.pl\/instytut\/inok\/wp-json\/wp\/v2\/osoby\/1361"}],"collection":[{"href":"https:\/\/us.edu.pl\/instytut\/inok\/wp-json\/wp\/v2\/osoby"}],"about":[{"href":"https:\/\/us.edu.pl\/instytut\/inok\/wp-json\/wp\/v2\/types\/osoby"}],"author":[{"embeddable":true,"href":"https:\/\/us.edu.pl\/instytut\/inok\/wp-json\/wp\/v2\/users\/1"}],"version-history":[{"count":10,"href":"https:\/\/us.edu.pl\/instytut\/inok\/wp-json\/wp\/v2\/osoby\/1361\/revisions"}],"predecessor-version":[{"id":2384,"href":"https:\/\/us.edu.pl\/instytut\/inok\/wp-json\/wp\/v2\/osoby\/1361\/revisions\/2384"}],"wp:attachment":[{"href":"https:\/\/us.edu.pl\/instytut\/inok\/wp-json\/wp\/v2\/media?parent=1361"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}