https:\/\/www.researchgate.net\/profile\/Magdalena-Figzal-Janikowska<\/a><\/p>\nResearch interests:<\/strong><\/p>\n\n- intermediality of modern theater,<\/li>\n
- artistic performance and the art of participation,<\/li>\n
- stage music,<\/li>\n
- performative archives.<\/li>\n<\/ul>\n
Selected publications:<\/strong><\/p>\n\n- Mi\u0119dzy cia\u0142<\/em>em a d\u017awi\u0119kiem: teatr Wojtka Blecharza <\/em>[Between the body and the sound: Wojtek Blecharz\u2019s theater]. \u201cDidaskalia\u201d 2020, no. 160, pp. 1-27.<\/li>\n
- Od rytmizacji do oper i balet<\/em>\u00f3w: wok\u00f3\u0142 muzycznych inscenizacji Jana Dormana <\/em>[From the rhythmization to operas and ballets: On Jan Dorman\u2019s musical stage productions]. \u201cPami\u0119tnik Teatralny\u201d 2019, vol. 68, issue 3-4, pp. 141-160.<\/li>\n
- \u201cPrzepisywanie\u201d dramatu jako przyk\u0142ad transferu literackich mit<\/em>\u00f3<\/em>w\u00a0<\/em>[\u201cRewriting\u201d the drama as an example of the transfer of literary myths]. \u201cEr(r)go\u201d 2019, no. 39, pp. 25-38.<\/li>\n
- The Circle of Outcasts: Krzysztof Warlikowski\u2019s \u2018African Tales by Shakespeare\u2019<\/em>. In: Cervantes, Shakespeare y la Edad de Oro de la escena<\/em>. Eds. Jorge Braga Riera, Javier J. Gonz\u00e1lez Mart\u00ednez, Miguel Sanz Jim\u00e9nez. Fundaci\u00f3n Universitaria Espa\u00f1ola, Madrid 2018, pp. 619-631.<\/li>\n
- Przestrzenie muzyczne w polskim teatrze wsp\u00f3\u0142czesnym <\/em>[Musical spaces in modern Polish theater]. Wydawnictwo Uniwersytetu \u015al\u0105skiego. Katowice 2017, 282 pages. ISBN 978-83-226-3163-8.<\/li>\n<\/ol>\n
Fellowships and grants:<\/strong><\/p>\n\n- Performanse plastyczne W\u0142adys\u0142awa Hasiora <\/strong>[W\u0142adys\u0142aw Hasior\u2019s plastic performances] (research project manager; the 4th Publishing Competition; the Zbigniew Raszewski Theater Institute in Warsaw; August 2020 \u2013 present).<\/li>\n
- Muzyczny \u015blad Krakowa<\/strong> [The musical trace of Krak\u00f3w] (research team participant; the Krak\u00f3w Culture Center; the Program \u201cKultura w sieci\u201d NCK; May 2020 \u2013 present).<\/li>\n
- Dorman. Archiwum Otwarte<\/strong> [Dorman. The open archive] (resident, research team participant) \u2014 research project realized in the Zbigniew Raszewski Theater Institute in Warsaw; financed by MKiDN, May 2018 \u2013 December 2019).<\/li>\n<\/ul>\n
Academic outreach and engagement: <\/strong><\/p>\n\n- Performanse plastyczne W\u0142adys\u0142awa Hasiora<\/strong> \u2013 a series of lectures, as part of the research project realized in the Zbigniew Raszewski Theater Institute in Warsaw. Duration: August 2020 \u2013 March\u00a02021.<\/li>\n
- Publications Spacerownik. Krak<\/em><\/strong>\u00f3w Tadeusza Kantora <\/em>(2019) oraz A Walking Guide. Cracow of Tadeusz Kantor<\/em> (2020)<\/strong>, published by O\u015brodek Dokumentacji Sztuki Tadeusza Kantora \u201eCricoteka\u201d in Krak\u00f3w. Author: Magdalena Figza\u0142-Janikowska.<\/li>\n
- A series of education projects realized in the programs \u201cLaboratorium w Archiwum\u201d and \u201cLaboratorium sceny\u201d,<\/strong>\u00a0O\u015brodek Dokumentacji Sztuki Tadeusza Kantora \u201eCricoteka\u201d in Krak\u00f3w (e.g. Spacer krakowskim \u015bladami Tadeusza Kantora<\/em>; Muzyczne klisze pami\u0119ci<\/em>; Muzyczne \u017ar<\/em>\u00f3d\u0142a pami\u0119ci<\/em>). Duration: 2017 \u2013 2020.<\/li>\n<\/ul>\n
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[vc_row][vc_column width=”2\/3″][vc_tta_tabs][vc_tta_section title=”POLISH” tab_id=”1630404378683-14da5686-6ceb”][\/vc_tta_section][vc_tta_section title=”ENGLISH” tab_id=”1630404378695-3a8fe903-4a5e”][\/vc_tta_section][\/vc_tta_tabs][\/vc_column][vc_column width=”1\/3″][\/vc_column][\/vc_row] […]<\/p>\n
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