{"id":394,"date":"2020-04-15T12:37:07","date_gmt":"2020-04-15T10:37:07","guid":{"rendered":"http:\/\/us.edu.pl\/instytut\/inok\/?post_type=osoby&#038;p=394"},"modified":"2023-06-29T08:55:07","modified_gmt":"2023-06-29T06:55:07","slug":"ania-malinowska","status":"publish","type":"osoby","link":"https:\/\/us.edu.pl\/instytut\/inok\/osoby\/ania-malinowska\/","title":{"rendered":"Ania Malinowska"},"content":{"rendered":"<p>[vc_row][vc_column width=&#8221;2\/3&#8243;][vc_tta_tabs][vc_tta_section title=&#8221;POLISH&#8221; tab_id=&#8221;1630496221835-7d901784-5115&#8243;]\r\n                <div class=\"text-modules\">\r\n                    <div class=\"container\">\r\n                        \r\n                        <div class=\"text-modules__content\"><p><strong>dr hab. Ania Malinowska, prof. U\u015a<br \/>\n<\/strong><\/p>\n<p>e-mail:\u00a0<a href=\"mailto:anna.malinowska@us.edu.pl\">anna.malinowska@us.edu.pl<\/a><\/p>\n<p><a href=\"https:\/\/orcid.org\/0000-0002-5952-8876\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/orcid.org\/0000-0002-5952-8876<\/a><\/p>\n<p><a href=\"http:\/\/www.ccts.us.edu.pl\" target=\"_blank\" rel=\"noopener\">www.ccts.us.edu.pl<\/a><\/p>\n<p><a href=\"https:\/\/silesian.academia.edu\/AniaMalinowska\" target=\"_blank\" rel=\"noopener\">https:\/\/silesian.academia.edu\/AniaMalinowska<\/a><\/p>\n<p><a href=\"https:\/\/www.researchgate.net\/profile\/Ania-Malinowska\" target=\"_blank\" rel=\"noopener\">https:\/\/www.researchgate.net\/profile\/Ania-Malinowska<\/a><\/p>\n<p><strong>Ania Malinowska<\/strong> jest pisark\u0105 i teoretyczk\u0105 kultury specjalizuj\u0105c\u0105 si\u0119 w badaniach z zakresu semiotyki mi\u0142o\u015bci, cyfrowej humanistyki oraz robotyki krytycznej. Do jej zainteresowa\u0144 badawczych nale\u017c\u0105 min. ewolucja norm kulturowo-spo\u0142ecznych, emocjonalne i estetyczne kody kohabitacji w technokulturze oraz sztuka nowych medi\u00f3w jako forma krytyki. W swoich publikacjach i badaniach skupia si\u0119 na kodach uczu\u0107 w technosferze, analizie wzor\u00f3w kulturowych w kontek\u015bcie ludzi i inteligentnych maszyn a tak\u017ce na afektywnym potencjale urz\u0105dze\u0144 cyfrowych.<\/p>\n<p><strong>Wybrane publikacje:<\/strong><\/p>\n<p><span style=\"text-decoration: underline;\">POEZJA I PROZA<\/span><\/p>\n<ul>\n<li><a href=\"http:\/\/wydawnictwo-dragon.pl\/product\/1820\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Plan B<\/em><\/a>. Dragon Publishing. Bielsko-Bia\u0142a 2021, ss. 320. ISBN 978-83-8172-722-8.<\/li>\n<li><a href=\"https:\/\/sklep.beczmiana.pl\/pl\/p\/Unhappy-ending.-Poems-for-the-BrokenHearted\/5760\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Unhappy Ending. Poems for the Broken-Hearted<\/em><\/a> [il. Apolonia Dwurnik]. Apolonia Dwurnik, Warszawa 2020, ss. 52. ISBN 978-83-937872-3-4.<\/li>\n<li>The Island for the Lost. W: <a href=\"https:\/\/flugschriften.com\/2019\/04\/27\/dispatches-from-the-institute-of-incoherent-geography-vol-1\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Dispatches from the Institute of Incoherent Geography, vol. 1<\/em><\/a>. Flugschriften, New York 2019, s. 83-89. ISBN 978-1-7335365-3-0.<\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline;\">MONOGRAFIE, TOMY REDAGOWANE, NUMERY SPECJALNE<\/span><\/p>\n<ul>\n<li><a title=\"Love in Contemporary Technoculture\" href=\"https:\/\/www.cambridge.org\/core\/elements\/love-in-contemporary-technoculture\/074FE883A89E836B494D581E7C74A3AB\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Love in Contemporary Technoculture<\/em><\/a>. Cambridge University Press. Cambridge 2022, ss. 86. ISBN 978-1-10-888497-6.<\/li>\n<li><a href=\"https:\/\/www.intellectbooks.com\/data-dating\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Data Dating. Love, Technology, Desire<\/em><\/a> [wsp\u00f3\u0142red. Valentina Peri]. Intellect Ltd., Bristol 2021, ss. 248. ISBN 978-1-78938-495-6.<\/li>\n<li>&#8222;<em>Teksty Drugie.<\/em> <a href=\"http:\/\/tekstydrugie.pl\/pl\/biblio\/technokultury-milosci\/\" target=\"_blank\" rel=\"noopener noreferrer\">Technokultury mi\u0142o\u015bci<\/a>&#8221; 2019, nr 5.<\/li>\n<li><a href=\"https:\/\/www.routledge.com\/The-Materiality-of-Love-Essays-on-Affection-and-Cultural-Practice\/Malinowska-Gratzke\/p\/book\/9780367886639\" target=\"_blank\" rel=\"noopener noreferrer\"><em>The Materiality of Love. Essays on Affection and Cultural Practice<\/em><\/a> [wsp\u00f3\u0142red. Michael Gratzke]. Routledge, New York 2018, ss. 295. ISBN 978-0-415-78382-8.<\/li>\n<li><a href=\"https:\/\/www.routledge.com\/Materiality-and-Popular-Culture-The-Popular-Life-of-Things\/Malinowska-Lebek\/p\/book\/9780367878177\"><em>Materiality and Popular Culture: The Popular Life of Things<\/em><\/a> [wsp\u00f3\u0142red. Karolina Lebek]. Routledge, New York 2017, ss. 272. ISBN 978-1-138-65780-9.<\/li>\n<li>&#8222;<em>Open Cultural Studies. <\/em><a href=\"https:\/\/www.degruyter.com\/journal\/key\/culture\/1\/1\/html\" target=\"_blank\" rel=\"noopener noreferrer\">Media and Emotions. The New Frontiers of Affect in Digital Culture<\/a>\u201d 2017, nr 1 [wsp\u00f3\u0142red. Toby Miller].<\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline;\">RECENZOWANE ROZDZIA\u0141Y I ARTYKU\u0141Y<\/span><\/p>\n<ul>\n<li>Sadie Plant. W: <em>Fifty Key Figures in Cyberpunk Culture<\/em>, red. Anne McFarlane, Graham J. Murphy, Lars Schmeink. Routledge, New York 2022. ISBN 978-0-36754-913-8.<\/li>\n<li>Demonic Interventions. On Robots as Performing Subjects. &#8222;Performance Research&#8221; [<a href=\"https:\/\/www.performance-research.org\/forthcoming-issue.php\" target=\"_blank\" rel=\"noopener noreferrer\">Special Issue: On Hell<\/a>] 2021,\u00a0nr 1\/2, s. 112-124.<\/li>\n<li>Fast Love. Temporalities of Digitized Togetherness. W: Data Dating. Love, Technology, Desire, red. Anna Malinowska, Valentina Peri. Intellect Ltd., Bristol 2021, s. 42-57.<\/li>\n<li>Global Popular Culture for Local Infrastructures. Migration of Texts and Problems of Transferability (the Polish case). W: Cultural Change in East-Central European and Eurasian Space, red. Susan C. Pearce, Eugenia Sojka. Springer, Cham 2020, s. 103-114.<\/li>\n<li><a href=\"https:\/\/onlinelibrary.wiley.com\/doi\/abs\/10.1002\/9781119429128.iegmc036\" target=\"_blank\" rel=\"noopener noreferrer\">Sex Bots and Posthuman Love<\/a> W: <em>International Encyclopedia of Gender, Media and Communication<\/em>, red. Karen Ross. Wiley Blackwell, Chichester 2020, s. 1252-1257.<\/li>\n<li><a href=\"https:\/\/onlinelibrary.wiley.com\/doi\/10.1002\/9781119429128.iegmc139\">Camp TV<\/a> W: <em>International Encyclopedia of Gender, Media and Communication<\/em>, red. Karen Ross. Wiley Blackwell, Chichester 2020, s. 114-119.<\/li>\n<li><a href=\"https:\/\/onlinelibrary.wiley.com\/doi\/10.1002\/9781119429128.iegmc096\" target=\"_blank\" rel=\"noopener noreferrer\">Waves of Feminism<\/a> W: <em>International Encyclopedia of Gender, Media and Communication<\/em>, red. Karen Ross. Wiley Blackwell, Chichester 2020, s. 1443-1450.<\/li>\n<li><a href=\"https:\/\/rcin.org.pl\/Content\/203767\/WA248_235097_P-I-2524_malinowska-obiekty.pdf\" class=\"mtli_attachment mtli_pdf\" class=\"mtli_attachment mtli_pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Obiekty i technofeelie<\/a> &#8222;Teksty Drugie&#8221; 2019, nr 5, s. 18-34.<\/li>\n<li><a href=\"https:\/\/journals.sagepub.com\/doi\/abs\/10.1177\/1363460716688678\" target=\"_blank\" rel=\"noopener noreferrer\">Lost in Representation. Disabled Sex and the Aesthetics of the Norm<\/a> &#8222;Sexualities&#8221; 2018, nr 3, s. 364-378.<\/li>\n<li><a href=\"https:\/\/www.degruyter.com\/document\/doi\/10.1515\/culture-2017-0060\/html\" target=\"_blank\" rel=\"noopener noreferrer\">Sensitive Media<\/a>\u00a0[wsp\u00f3\u0142aut. Toby Miller]. &#8222;Open Cultural Studies&#8221; 2017, nr 1, s. 660-665.<\/li>\n<li>Heroines at the Outskirts of Culture. Hollywood Stardom in Intra- and Transcultural Practices of Camp. W:<em> Revisiting Star Studies<\/em>, red. Sabrina Qiong Yu, Guy Austin. Edinburgh University Press, Edinburgh 2017, s. 187-204.<\/li>\n<\/ul>\n<p><strong>Projekty badawcze<\/strong><\/p>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li>2021-2024 Horizon2020, MSCARISE nr 101007915, Networking Ecologically Smart Territories (NEST), (uczestnik, kierownik zadania)<\/li>\n<li>2021-2024 OPUS NCN nr 2020\/37\/B\/HS2\/01455, Technologie Mi\u0142o\u015bci. Kultury Uczu\u0107 i Intymno\u015bci w dobie afektywnych medi\u00f3w, (kierownik projektu).<\/li>\n<li>2018-19 Polsko-Ameryka\u0144ska Komisja Fulbrighta, Feelings without Organs. Love in Contemporary Technolculture, Senior Research Award (The New School, Nowy Jork USA), (kierownik projektu)<\/li>\n<li>2017-2018 MINIATURA NCN nr 2017\/01\/X\/HS2\/00713, (U)czucie poza cia\u0142em. Mi\u0142o\u015b\u0107 a nowa materialno\u015b\u0107.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>\n<\/div>\r\n                    <\/div>\r\n                <\/div>[\/vc_tta_section][vc_tta_section title=&#8221;ENGLISH&#8221; tab_id=&#8221;1630496221849-6daad45c-6bad&#8221;]\r\n                <div class=\"text-modules\">\r\n                    <div class=\"container\">\r\n                        \r\n                        <div class=\"text-modules__content\"><p><strong>Ania Malinowska<\/strong>, <strong>PhD, DLitt<br \/>\n<\/strong><strong>Associate Professor in the Institute of Culture Studies, the University of Silesia in Katowice<\/strong><\/p>\n<p><a href=\"www.ccts.us.edu.pl\" target=\"_blank\" rel=\"noopener\"><strong>Centre for Critical Technology Studies <\/strong><\/a><\/p>\n<p><a href=\"mailto:anna.malinowska@us.edu.pl\">anna.malinowska@us.edu.pl<\/a><\/p>\n<p>ORCID <a href=\"https:\/\/orcid.org\/0000-0002-5952-8876\" target=\"_blank\" rel=\"noopener\">0000-0002-5952-8876<\/a><\/p>\n<p><a href=\"https:\/\/scholar.google.com\/citations?user=hY3QEecAAAAJ&amp;hl=en\" target=\"_blank\" rel=\"noopener\">https:\/\/scholar.google.com\/citations?user=hY3QEecAAAAJ&amp;hl=en<\/a><\/p>\n<p><a href=\"https:\/\/www.researchgate.net\/profile\/Ania-Malinowska\" target=\"_blank\" rel=\"noopener\">https:\/\/www.researchgate.net\/profile\/Ania-Malinowska<\/a><\/p>\n<p><a href=\"https:\/\/silesian.academia.edu\/AnnaMalinowska\" target=\"_blank\" rel=\"noopener\">https:\/\/silesian.academia.edu\/AnnaMalinowska<\/a><\/p>\n<p><strong>Ania Malinowska<\/strong> is an author and cultural theorist specializing in research on love semiotics, digital humanities, and critical robotics. Her interests and studies focus on the evolution of social-cultural norms under technoculture in relation to emotional and aesthetic codes of human cohabitation with technological devices (subjects). Her field of expertise includes new media art as a form of criticism, codes of feeling in digital environments, cultural patterns for humans and machines, and the affective potential of digital objects.<\/p>\n<p><strong>SELECTED PUBLICATIONS<\/strong><\/p>\n<p><span style=\"text-decoration: underline;\">FICTION AND POETRY<\/span><\/p>\n<ul>\n<li><a href=\"http:\/\/wydawnictwo-dragon.pl\/product\/1820\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Plan B<\/em><\/a>. Dragon Publishing. Bielsko-Bia\u0142a 2021, pp. 320. ISBN 978-83-8172-722-8.<\/li>\n<li><a href=\"https:\/\/sklep.beczmiana.pl\/pl\/p\/Unhappy-ending.-Poems-for-the-BrokenHearted\/5760\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Unhappy Ending. Poems for the Broken-Hearted<\/em><\/a> [il. Apolonia Dwurnik]. Apolonia Dwurnik, Warszawa 2020, pp. 52. ISBN 978-83-937872-3-4.<\/li>\n<li><em>The Island for the Lost<\/em>. In: <a href=\"https:\/\/flugschriften.com\/2019\/04\/27\/dispatches-from-the-institute-of-incoherent-geography-vol-1\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Dispatches from the Institute of Incoherent Geography, vol. 1<\/em><\/a>. Flugschriften, New York 2019, p. 83-89. ISBN 978-1-7335365-3-0.<\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline;\">AUTHORED BOOKS, EDITED COLLECTIONS, SPECIAL ISSUES <\/span><\/p>\n<ul>\n<li><a title=\"Love in Contemporary Technoculture\" href=\"https:\/\/www.cambridge.org\/core\/elements\/love-in-contemporary-technoculture\/074FE883A89E836B494D581E7C74A3AB\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Love in Contemporary Technoculture<\/em><\/a>. Cambridge University Press. Cambridge 2022, pp. 86. ISBN 978-1-10-888497-6.<\/li>\n<li><a href=\"https:\/\/www.intellectbooks.com\/data-dating\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Data Dating. Love, Technology, Desire<\/em><\/a> [co-editor Valentina Peri]. Intellect Ltd., Bristol 2021, pp. 248. ISBN 978-1-78938-495-6.<\/li>\n<li>&#8222;<em>Teksty Drugie.<\/em> <a href=\"http:\/\/tekstydrugie.pl\/pl\/biblio\/technokultury-milosci\/\" target=\"_blank\" rel=\"noopener noreferrer\">Technokultury mi\u0142o\u015bci<\/a>&#8221; 2019, no. 5.<\/li>\n<li><a href=\"https:\/\/www.routledge.com\/The-Materiality-of-Love-Essays-on-Affection-and-Cultural-Practice\/Malinowska-Gratzke\/p\/book\/9780367886639\" target=\"_blank\" rel=\"noopener noreferrer\"><em>The Materiality of Love. Essays on Affection and Cultural Practice<\/em><\/a> [co-editor Michael Gratzke]. Routledge, New York 2018, pp. 295. ISBN 978-0-415-78382-8.<\/li>\n<li><a href=\"https:\/\/www.routledge.com\/Materiality-and-Popular-Culture-The-Popular-Life-of-Things\/Malinowska-Lebek\/p\/book\/9780367878177\"><em>Materiality and Popular Culture: The Popular Life of Things<\/em><\/a> [co-editor Karolina Lebek]. Routledge, New York 2017, pp. 272. ISBN 978-1-138-65780-9.<\/li>\n<li>&#8222;<em>Open Cultural Studies. <\/em><a href=\"https:\/\/www.degruyter.com\/journal\/key\/culture\/1\/1\/html\" target=\"_blank\" rel=\"noopener noreferrer\">Media and Emotions. The New Frontiers of Affect in Digital Culture<\/a>\u201d 2017, no. 1 [co-editor Toby Miller].<\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline;\">BOOK CHAPTERS &amp; PEER-REVIEWED JOURNAL ARTICLES<\/span><\/p>\n<ul>\n<li><em>Sadie Plant<\/em>. In: <em>Fifty Key Figures in Cyberpunk Culture<\/em>, eds. Anne McFarlane, Graham J. Murphy, Lars Schmeink. Routledge, New York 2022. ISBN 978-0-36754-913-8.<\/li>\n<li><em>Demonic Interventions. On Robots as Performing Subjects<\/em>. &#8222;Performance Research&#8221; [<a href=\"https:\/\/www.performance-research.org\/forthcoming-issue.php\" target=\"_blank\" rel=\"noopener noreferrer\">Special Issue: On Hell<\/a>] 2021, no. 1\/2, p. 112-124.<\/li>\n<li><em>Fast Love. Temporalities of Digitized Togetherness<\/em>. In: Data Dating. Love, Technology, Desire, eds. Anna Malinowska, Valentina Peri. Intellect Ltd., Bristol 2021, p. 42-57.<\/li>\n<li><em>Global Popular Culture for Local Infrastructures. Migration of Texts and Problems of Transferability (the Polish case)<\/em>. In: Cultural Change in East-Central European and Eurasian Space, eds. Susan C. Pearce, Eugenia Sojka. Springer, Cham 2020, p. 103-114.<\/li>\n<li><em><a href=\"https:\/\/onlinelibrary.wiley.com\/doi\/abs\/10.1002\/9781119429128.iegmc036\" target=\"_blank\" rel=\"noopener noreferrer\">Sex Bots and Posthuman Love<\/a><\/em> In: <em>International Encyclopedia of Gender, Media and Communication<\/em>, eds. Karen Ross. Wiley Blackwell, Chichester 2020, p. 1252-1257.<\/li>\n<li><a href=\"https:\/\/onlinelibrary.wiley.com\/doi\/10.1002\/9781119429128.iegmc139\"><em>Camp TV<\/em><\/a> In: <em>International Encyclopedia of Gender, Media and Communication<\/em>, eds. Karen Ross. Wiley Blackwell, Chichester 2020, p. 114-119.<\/li>\n<li><em><a href=\"https:\/\/onlinelibrary.wiley.com\/doi\/10.1002\/9781119429128.iegmc096\" target=\"_blank\" rel=\"noopener noreferrer\">Waves of Feminism<\/a><\/em> In: <em>International Encyclopedia of Gender, Media and Communication<\/em>, eds. Karen Ross. Wiley Blackwell, Chichester 2020, p. 1443-1450.<\/li>\n<li><em><a href=\"https:\/\/rcin.org.pl\/Content\/203767\/WA248_235097_P-I-2524_malinowska-obiekty.pdf\" class=\"mtli_attachment mtli_pdf\" class=\"mtli_attachment mtli_pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Obiekty i technofeelie<\/a><\/em> &#8222;T<em>eksty Drugie&#8221; 2019, iss. <\/em>5, p. 18-34.<\/li>\n<li><a href=\"https:\/\/journals.sagepub.com\/doi\/abs\/10.1177\/1363460716688678\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Lost<\/em> in Representation. Disabled Sex and the Aesthetics of the Norm<\/a> &#8222;Sexualities&#8221; 2018, iss. 3, p. 364-378.<\/li>\n<li><em><a href=\"https:\/\/www.degruyter.com\/document\/doi\/10.1515\/culture-2017-0060\/html\" target=\"_blank\" rel=\"noopener noreferrer\">Sensitive Media<\/a><\/em> [wsp\u00f3\u0142aut. Toby Miller]. &#8222;Open Cultural Studies&#8221; 2017, iss. 1, p. 660-665.<\/li>\n<li><em>Heroines at the Outskirts of Culture. Hollywood Stardom in Intra- and Transcultural Practices of Camp<\/em>. In:<em> Revisiting Star Studies<\/em>, eds. Sabrina Qiong Yu, Guy Austin. Edinburgh University Press, Edinburgh 2017, p. 187-204.<\/li>\n<\/ul>\n<p><strong>PROJECTS AND RESEARCH GRANTS<\/strong><\/p>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li>2021-2024 Project Partner in Networking Ecologically Smart Territories NEST), Horizon2020, MSCARISE (no 101007915) directed by prof. Noel Fitzpatrick (Technology University Dublin).<\/li>\n<li>2021-2024 Principal Investigator in OPUS Research Grant from the National Science Centre (no 2020\/37\/B\/HS2\/01455). Project title: [Technologie Mi\u0142o\u015bci. Kultury Uczu\u0107 i Intymno\u015bci w dobie afektywnych medi\u00f3w] Technologies for Love. Cultures of Feeling and Intimacy under Affective Media.<\/li>\n<li>2018-19 Principal Investigator in Senior Fulbright Fellowship from Advanced Research Program of the Fulbright Foundation, The New School of Social Research, New York. Project title: Feelings without Organs. Love in Contemporary Technolculture.<\/li>\n<li>2017 Principal Investigator in MINIATURA Research Grant from the National Science Centre (no 2017\/01\/X\/HS2\/00713). Project title: [(U)czucie poza cia\u0142em. Mi\u0142o\u015b\u0107 a nowa materialno\u015b\u0107] Love and New Materialism.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>\n<\/div>\r\n                    <\/div>\r\n                <\/div>[\/vc_tta_section][\/vc_tta_tabs][\/vc_column][vc_column width=&#8221;1\/3&#8243;]\r\n                <div class=\"text-modules\">\r\n                    <div class=\"container\">\r\n                        \r\n                        <div class=\"text-modules__content\"><\/p>\n<p>&nbsp;<\/p>\n<p><img class=\"alignnone wp-image-1944 size-full\" src=\"https:\/\/us.edu.pl\/instytut\/inok\/wp-content\/uploads\/sites\/28\/Nieprzypisane\/Ania7.jpg\" alt=\"Anna Malinowska\" width=\"768\" height=\"768\" srcset=\"https:\/\/us.edu.pl\/instytut\/inok\/wp-content\/uploads\/sites\/28\/Nieprzypisane\/Ania7.jpg 768w, https:\/\/us.edu.pl\/instytut\/inok\/wp-content\/uploads\/sites\/28\/Nieprzypisane\/Ania7-150x150.jpg 150w, https:\/\/us.edu.pl\/instytut\/inok\/wp-content\/uploads\/sites\/28\/Nieprzypisane\/Ania7-300x300.jpg 300w, https:\/\/us.edu.pl\/instytut\/inok\/wp-content\/uploads\/sites\/28\/Nieprzypisane\/Ania7-575x575.jpg 575w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/><\/p>\n<\/div>\r\n                    <\/div>\r\n                <\/div>[\/vc_column][\/vc_row]<\/p>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column width=&#8221;2\/3&#8243;][vc_tta_tabs][vc_tta_section title=&#8221;POLISH&#8221; tab_id=&#8221;1630496221835-7d901784-5115&#8243;][\/vc_tta_section][vc_tta_section title=&#8221;ENGLISH&#8221; tab_id=&#8221;1630496221849-6daad45c-6bad&#8221;][\/vc_tta_section][\/vc_tta_tabs][\/vc_column][vc_column width=&#8221;1\/3&#8243;][\/vc_column][\/vc_row] [&#8230;]<\/p>\n<p><a class=\"btn btn-secondary understrap-read-more-link\" href=\"https:\/\/us.edu.pl\/instytut\/inok\/osoby\/ania-malinowska\/\">Read More&#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"template":"","meta":{"_expiration-date-status":"saved","_expiration-date":0,"_expiration-date-type":"","_expiration-date-categories":[],"_expiration-date-options":[]},"acf":[],"_links":{"self":[{"href":"https:\/\/us.edu.pl\/instytut\/inok\/wp-json\/wp\/v2\/osoby\/394"}],"collection":[{"href":"https:\/\/us.edu.pl\/instytut\/inok\/wp-json\/wp\/v2\/osoby"}],"about":[{"href":"https:\/\/us.edu.pl\/instytut\/inok\/wp-json\/wp\/v2\/types\/osoby"}],"author":[{"embeddable":true,"href":"https:\/\/us.edu.pl\/instytut\/inok\/wp-json\/wp\/v2\/users\/1"}],"version-history":[{"count":12,"href":"https:\/\/us.edu.pl\/instytut\/inok\/wp-json\/wp\/v2\/osoby\/394\/revisions"}],"predecessor-version":[{"id":3306,"href":"https:\/\/us.edu.pl\/instytut\/inok\/wp-json\/wp\/v2\/osoby\/394\/revisions\/3306"}],"wp:attachment":[{"href":"https:\/\/us.edu.pl\/instytut\/inok\/wp-json\/wp\/v2\/media?parent=394"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}