{"id":448,"date":"2020-04-15T13:44:40","date_gmt":"2020-04-15T11:44:40","guid":{"rendered":"http:\/\/us.edu.pl\/instytut\/inok\/?post_type=osoby&#038;p=448"},"modified":"2022-05-09T12:42:22","modified_gmt":"2022-05-09T10:42:22","slug":"sabina-sweta-sen-podstawska","status":"publish","type":"osoby","link":"https:\/\/us.edu.pl\/instytut\/inok\/osoby\/sabina-sweta-sen-podstawska\/","title":{"rendered":"Sabina Sweta Sen-Podstawska"},"content":{"rendered":"<p>[vc_row][vc_column width=&#8221;2\/3&#8243;][vc_tta_tabs][vc_tta_section title=&#8221;POLISH&#8221; tab_id=&#8221;1630583853520-d1aab7ee-a261&#8243;]\r\n                <div class=\"text-modules\">\r\n                    <div class=\"container\">\r\n                        \r\n                        <div class=\"text-modules__content\"><p><strong>dr Sabina Sweta Sen-Podstawska<br \/>\n<\/strong><\/p>\n<p>e-mail:\u00a0<a href=\"mailto:sabina.sen@us.edu.pl\">sabina.sen@us.edu.pl<\/a><\/p>\n<p><a href=\"https:\/\/orcid.org\/0000-0002-9939-1018\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>https:\/\/orcid.org\/0000-0002-9939-1018<\/strong><\/a><\/p>\n<p><strong>Tematyka badawcza:<\/strong><\/p>\n<ul>\n<li>\u015bwiadomo\u015b\u0107 zmys\u0142owo-somatyczna w klasycznym ta\u0144cu indyjskim Odissi i w innych sztukach performatywnych,<\/li>\n<li>wielokulturowo\u015b\u0107, transkulturowo\u015b\u0107, wieloetniczno\u015b\u0107,<\/li>\n<li>sztuki performatywne kultur mniejszo\u015bci,<\/li>\n<li>diaspory i kultury rdzenne w Kanadzie,<\/li>\n<li>relacje cia\u0142o-umys\u0142,<\/li>\n<li>studia somatyczne, psychofizyczny trening i performans,<\/li>\n<li>somaestetyka oraz emocje w sztukach performatywnych,<\/li>\n<li>taniec i kultura Indii.<\/li>\n<\/ul>\n<p><strong>Stopnie i tytu\u0142y naukowe:<\/strong><\/p>\n<p><strong>Doktorat<\/strong><\/p>\n<p>2016 \u2013 Kiedy nasze zmys\u0142y ta\u0144cz\u0105: \u015awiadomo\u015b\u0107 zmys\u0142owo-somatyczna we wsp\u00f3\u0142czesnych sposobach podej\u015bcia do ta\u0144ca Odissi w Indiach, Wydzia\u0142 Teatru, Uniwersytet Exeter.<\/p>\n<p><strong>Magisteria<\/strong><\/p>\n<p>2011 \u2013 Podr\u00f3\u017cuj\u0105cy taniec: Uciele\u015bnienie ta\u0144ca Odissi w Diasporze i poza ni\u0105, Uniwersytet Roehampton.<\/p>\n<p>2010 \u2013 To\u017csamo\u015bci w ruchu: Taneczny performance uciele\u015bnieniem kultury i spo\u0142ecznej organizacji Narodu Tsimshian, Wydzia\u0142 Filologiczny, Uniwersytet \u015al\u0105ski.<\/p>\n<p><strong>Wybrane publikacje:<\/strong><\/p>\n<ol>\n<li>Do\u015bwiadczenia uciele\u015bnione i kinestetyczne w teatrze indygennym Floyda Favela. W: Pisz\u0105cy z ziemi. Teatr indygenny Floyda Favela i inne eseje. Wydawnictwo Naukowe &#8222;\u015al\u0105sk&#8221;, Katowice 2021, s. 86-112.<\/li>\n<li>Transfer kulturowy w klasycznym ta\u0144cu indyjskim odissi w Indiach. &#8222;ER(R)GO&#8221; 2019 nr 39, [z.] 2, s. 179-199.<\/li>\n<li>Living the \u201cabhinaya\u201d : sensory-somatic approaches to \u201crasa-bh\u0101va\u201d in Odissi dance. W: Oriental encounters : language, society, culture. Wydawnictwo Uniwersytetu \u015al\u0105skiego, Katowice 2019, s. 67-81.<\/li>\n<li>The transient \u201cideals\u201d of the \u201cOdissi body\u201d and the changing place and role of Odissi dancers in history. &#8222;\u015awiat i S\u0142owo&#8221; 2019, nr 1, s. 133-151.<\/li>\n<li>Why dancing the sensual sculptures matters? : considering a sensory paradigm for Odissi dance. W: Dance matters too : markets, memories, identities. Routledge, London 2018, s. 284-306.<\/li>\n<li>Re-shaping and conditioning the Odissi bodymind and its sensibility in India. &#8222;Dialogos com a Arte&#8221; 2016, no. 6, s. 197-220.<\/li>\n<li>Tsimshian identities on the move : contemporary dance performance as an embodiment of the changing identity. &#8222;TransCanadiana&#8221; 2011, vol. 4, s. 223-247.<\/li>\n<\/ol>\n<p>\n<\/div>\r\n                    <\/div>\r\n                <\/div>[\/vc_tta_section][vc_tta_section title=&#8221;ENGLISH&#8221; tab_id=&#8221;1630583853535-40f4e9e9-cdee&#8221;]\r\n                <div class=\"text-modules\">\r\n                    <div class=\"container\">\r\n                        \r\n                        <div class=\"text-modules__content\"><p><strong>Sabina Sweta Sen-Podstawska, PhD<br \/>\nAssistant Professor in the Institute of Culture Studies, the University of Silesia in Katowice<\/strong><\/p>\n<p><a href=\"mailto:sabina.sen@us.edu.pl\">sabina.sen@us.edu.pl<\/a><\/p>\n<p>ORCID <a href=\"https:\/\/orcid.org\/0000-0002-9939-1018\" target=\"_blank\" rel=\"noopener\">0000-0002-9939-1018<\/a><\/p>\n<p><a href=\"https:\/\/scholar.google.com\/citations?hl=en&amp;user=4teIBrgAAAAJ\" target=\"_blank\" rel=\"noopener\">https:\/\/scholar.google.com\/citations?hl=en&amp;user=4teIBrgAAAAJ<\/a><\/p>\n<p><a href=\"https:\/\/www.researchgate.net\/profile\/Sabina-Sen-Podstawska\" target=\"_blank\" rel=\"noopener\">https:\/\/www.researchgate.net\/profile\/Sabina-Sen-Podstawska<\/a><\/p>\n<p><a href=\"https:\/\/silesian.academia.edu\/SabinaSwetaSenPodstawska\" target=\"_blank\" rel=\"noopener\">https:\/\/silesian.academia.edu\/SabinaSwetaSenPodstawska<\/a><\/p>\n<p><strong>Research interests:<\/strong><\/p>\n<ul>\n<li>somatic studies,<\/li>\n<li>body-mind relations,<\/li>\n<li>multiculturalism,<\/li>\n<li>transculturalism,<\/li>\n<li>ethnicity,<\/li>\n<li>diaspora and indigenous studies in Canada,<\/li>\n<li>performing arts,<\/li>\n<li>Indian dance and culture.<\/li>\n<\/ul>\n<p><strong>Recent publications:<\/strong><\/p>\n<ol>\n<li>Transfer kulturowy w klasycznym ta\u0144cu indyjskim odissi w Indiach [Cultural transfer in classical Indian dance Odissi]. Er(r)go 2019, no. 39, iss. 2, pp. 179-199.<\/li>\n<li>Living the \u201cabhinaya\u201d : sensory-somatic approaches to \u201crasa-bh\u0101va\u201d in Odissi dance. In: Oriental encounters : language, society, culture. Wydawnictwo Uniwersytetu \u015al\u0105skiego, Katowice2019, pp. 67-81.<\/li>\n<li>The transient \u201cideals\u201d of the \u201cOdissi body\u201d and the changing place and role of Odissi dancers in history. &#8222;\u015awiat i S\u0142owo&#8221; 2019, no. 1, pp. 133-151.<\/li>\n<li>Why dancing the sensual sculptures matters? : considering a sensory paradigm for Odissi dance. In: Dance matters too : markets, memories, identities. Routledge, London 2018, pp. 284-306.<\/li>\n<li>Re-shaping and conditioning the Odissi bodymind and its sensibility in India. &#8222;Dialogos com a Arte&#8221; 2016, no. 6, pp. 197-220.<\/li>\n<\/ol>\n<p><strong>Academic outreach and engagement:<\/strong><\/p>\n<ol>\n<li>Organization of the \u201cDiscover Canada\u201d Contest for High School Students in Poland \u2013 2016\u20132021,<\/li>\n<li>Artistic and research collaboration with Miyawata Culture Inc. and their international festivals in Saskatchewan, Canada \u2013 2018\u20132021,<\/li>\n<li>Presentation, \u201cIndian classical dance: How to watch and why is it worth practicing\u201d, at the Indian session on the occasion of the 150th birth anniversary of Mahatma Gandhi organized by the University of Silesia in Katowice in collaboration with the Juliusz S\u0142owacki High School in Chorz\u00f3w, October 2019.<\/li>\n<\/ol>\n<p>\n<\/div>\r\n                    <\/div>\r\n                <\/div>[\/vc_tta_section][\/vc_tta_tabs][\/vc_column][vc_column width=&#8221;1\/3&#8243;]\r\n                <div class=\"text-modules\">\r\n                    <div class=\"container\">\r\n                        \r\n                        <div class=\"text-modules__content\"><\/p>\n<p>&nbsp;<\/p>\n<p><img class=\"alignnone wp-image-447 size-full\" src=\"https:\/\/us.edu.pl\/instytut\/inok\/wp-content\/uploads\/sites\/28\/Nieprzypisane\/Sen-Podstawska.jpg\" alt=\"Sabina Sweta Sen-Podstawska - zdj\u0119cie profilowe\" width=\"400\" height=\"600\" srcset=\"https:\/\/us.edu.pl\/instytut\/inok\/wp-content\/uploads\/sites\/28\/Nieprzypisane\/Sen-Podstawska.jpg 400w, https:\/\/us.edu.pl\/instytut\/inok\/wp-content\/uploads\/sites\/28\/Nieprzypisane\/Sen-Podstawska-200x300.jpg 200w, https:\/\/us.edu.pl\/instytut\/inok\/wp-content\/uploads\/sites\/28\/Nieprzypisane\/Sen-Podstawska-383x575.jpg 383w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/p>\n<\/div>\r\n                    <\/div>\r\n                <\/div>[\/vc_column][\/vc_row]<\/p>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column width=&#8221;2\/3&#8243;][vc_tta_tabs][vc_tta_section title=&#8221;POLISH&#8221; tab_id=&#8221;1630583853520-d1aab7ee-a261&#8243;][\/vc_tta_section][vc_tta_section title=&#8221;ENGLISH&#8221; tab_id=&#8221;1630583853535-40f4e9e9-cdee&#8221;][\/vc_tta_section][\/vc_tta_tabs][\/vc_column][vc_column width=&#8221;1\/3&#8243;][\/vc_column][\/vc_row] [&#8230;]<\/p>\n<p><a class=\"btn btn-secondary understrap-read-more-link\" href=\"https:\/\/us.edu.pl\/instytut\/inok\/osoby\/sabina-sweta-sen-podstawska\/\">Read More&#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"template":"","meta":{"_expiration-date-status":"saved","_expiration-date":0,"_expiration-date-type":"","_expiration-date-categories":[],"_expiration-date-options":[]},"acf":[],"_links":{"self":[{"href":"https:\/\/us.edu.pl\/instytut\/inok\/wp-json\/wp\/v2\/osoby\/448"}],"collection":[{"href":"https:\/\/us.edu.pl\/instytut\/inok\/wp-json\/wp\/v2\/osoby"}],"about":[{"href":"https:\/\/us.edu.pl\/instytut\/inok\/wp-json\/wp\/v2\/types\/osoby"}],"author":[{"embeddable":true,"href":"https:\/\/us.edu.pl\/instytut\/inok\/wp-json\/wp\/v2\/users\/1"}],"version-history":[{"count":9,"href":"https:\/\/us.edu.pl\/instytut\/inok\/wp-json\/wp\/v2\/osoby\/448\/revisions"}],"predecessor-version":[{"id":2381,"href":"https:\/\/us.edu.pl\/instytut\/inok\/wp-json\/wp\/v2\/osoby\/448\/revisions\/2381"}],"wp:attachment":[{"href":"https:\/\/us.edu.pl\/instytut\/inok\/wp-json\/wp\/v2\/media?parent=448"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}