{"id":219,"date":"2019-11-09T09:37:09","date_gmt":"2019-11-09T08:37:09","guid":{"rendered":"http:\/\/us.edu.pl\/instytut\/inos\/?post_type=osoby&#038;p=219"},"modified":"2026-02-18T12:29:50","modified_gmt":"2026-02-18T11:29:50","slug":"oskar-jacek-rojewski","status":"publish","type":"osoby","link":"https:\/\/us.edu.pl\/instytut\/inos\/osoby\/oskar-jacek-rojewski\/","title":{"rendered":"dr Oskar Jacek Rojewski, prof. U\u015a"},"content":{"rendered":"<p>[vc_row][vc_column width=&#8221;2\/3&#8243;][vc_tta_tabs][vc_tta_section title=&#8221;POLISH&#8221; tab_id=&#8221;1620124382427-5dd9abc4-6c1e&#8221;]\r\n                <div class=\"text-modules\">\r\n                    <div class=\"container\">\r\n                        \r\n                        <div class=\"text-modules__content\"><p><strong>dr Oskar J. Rojewski, prof. U\u015a<\/strong><\/p>\n<p>Absolwent studi\u00f3w pierwszego stopnia na kierunku Historia (2009-2012) i Historia sztuki (2010-2013) na Uniwersytecie \u015al\u0105skim w Katowicach; magister (MA) dziedzictwa kulturowego i konserwacji prewencyjnej dzie\u0142 sztuki na Uniwersytecie w Walencji (2013-2014); praktykant w POSK: Polskiej Bibliotece w Londynie (2014); doktor Historii sztuki na Uniwersytecie w Walencji i Uniwersytecie Jaume I w Castellon de la Plana (2014-2018) wyr\u00f3\u017cniony nagrod\u0105 Rektora, stypendysta w grupie badawczej Iconograf\u00eda e Historia del Arte; stypendysta fundacji Ana Mar\u00eda Aldana (2014) oraz L\u2019\u00c9cole Fran\u00e7ais de Rome (2017); zrealizowa\u0142 sta\u017ce badawcze na Uniwersytecie Franche Comt\u00e9 w Be\u00e7ancon (2015), Universytecie Katolickim w Lowanium (UCL, 2016) oraz w Instytucie Moll. Centrum bada\u0144 nad malarstwem niderlandzkim (2017). W 2018 roku zatrudniony w celu zrealizowania studium prozopograficznego przy projekcie The Jagiellonians: Dynasty, memory, identity realizowanym na Uniwersytecie Oksfordzkim i finansowanym przez European Research Council. Stypendysta postdoc Regionu Walencji na Uniwersytecie Jakuba I w Castellon de la Plana, Uniwersytecie Kopenhaskim (2019-2020), Uniwersytecie Rey Juan Carlos w Madrycie (2021-2023), Fondation P\u00e9rier D\u2019Ieteren (2023), oraz Universidad Nacional de Educaci\u00f3n a Distancia (2025). Kierownik projekt\u00f3w badawczych finansowanych przez Narodowe Centrum Naki w konkursach Miniatura oraz Sonata. Finalista nagrody dla m\u0142odych naukowc\u00f3w tygodnika \u201ePolityka\u201d, laureat programu stypendialnego START finansowanego przez Fundacj\u0119 na rzecz Nauki Polskiej oraz stypendium ministra RP dla wybitnych m\u0142odych naukowc\u00f3w.<\/p>\n<p>Od listopada 2018 roku adiunkt na Uniwersytecie \u015al\u0105skim w Katowicach, a od pa\u017adziernika 2023 profesor uczelni.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Zainteresowania badawcze:<\/strong><\/p>\n<p>W swoich tematach badawczych podejmuje zagadnienia ikonografii w\u0142adzy w XV i XVI wieku, problematyk\u0119 pozycji artyst\u00f3w na dworach europejskich, studium dekoracji efemerycznych towarzysz\u0105cych uroczysto\u015bciom dworskim oraz migracje artyst\u00f3w niderlandzkich. Badacz zajmuje si\u0119 r\u00f3wnie\u017c studiami nad relacjami polsko-hiszpa\u0144skimi, ze szczeg\u00f3lnym uwzgl\u0119dnieniem ich kontekstu historycznego i kulturowego.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Wybrane publikacje:<\/strong><\/p>\n<ul>\n<li>Painter to the Queen. Michel Sittow, Courtier to Isabella of Castile and the Habsburg Dynasty, Turnhout: Brepols, 2025.<\/li>\n<li>\u201e Felipe Morras (Philippon Mauroux), a Picard Trained in Ghent, his Workshop in Marseille, and his Stay at the Court of Isabella of Castile\u201d, Artibus et Historiae, 89 (2024), pp. 49-66.<\/li>\n<li>\u201cThe Translation of Court Culture from the Burgundian Court to the Kingdom of Castile: The Sovereign\u2019s Privacy and Relationship with Court Artists\u201d, w: Notions of Privacy at Early Modern European Courts: Reassessing the Public and Private Divide, 1400-1800, ed. by Neighbors D. M., N\u00f8rgaard L.C., Woodacre E., Amsterdam University Press, 2024, pp. 163-190.<\/li>\n<li>Wsp\u00f3\u0142autorstwo z Ana Di\u00e9guez Rodr\u00edguez, \u201eThe Odyssey of a Diptych. Issues of Authorship and Provenience of the Virgen Dolorosa and the Cristo Coronado de Espinas from the Former Collection in Go\u0142uch\u00f3w\u201d, Biuletyn Historii Sztuki, 85, 1 (2023), pp. 47-68.<\/li>\n<li>\u201eThe debts owed by the Castilian court to an emigrant painter: Michel Sittow\u2019s sojourns in Castile (1492-1502\/1504)\u201d, Oud Holland, 135, 4 (2022), pp. 157-171.<\/li>\n<li>Los valets de chambre de los duques de Borgo\u00f1a y sus tareas art\u00edsticas (1419-1477), Universitat Jaume I, 2021, ISBN: 978-84-18432-09-5<\/li>\n<li>Wsp\u00f3\u0142autorstwo z V\u00edctor M\u00ednguez, Juan Chiva Beltr\u00e1n, Pablo Gonz\u00e1lez Tornel, Inmaculada Rodr\u00edguez, La fiesta renacentista: el imperio de Carlos V (1500-1558), Universitat Jaume I, 2020, ISBN: 978-84-17900-90-8<\/li>\n<\/ul>\n<p>\n<\/div>\r\n                    <\/div>\r\n                <\/div>[\/vc_tta_section][vc_tta_section title=&#8221;ENGLISH&#8221; tab_id=&#8221;1620124382448-34a43411-a17d&#8221;]\r\n                <div class=\"text-modules\">\r\n                    <div class=\"container\">\r\n                        \r\n                        <div class=\"text-modules__content\"><p><strong>Oskar J. Rojewski, PhD<br \/>\n<\/strong>Associate Professor in the Institute of Arts Studies<br \/>\nFaculty of Humanities<\/p>\n<p><a href=\"mailto:oskar.rojewski@us.edu.pl\">oskar.rojewski@us.edu.pl<\/a><\/p>\n<p><a href=\"https:\/\/orcid.org\/0000-0001-7593-8747\">ORCID: 0000-0001-7593-8747<\/a><\/p>\n<p><a href=\"https:\/\/silesian.academia.edu\/OskarRojewski\">https:\/\/silesian.academia.edu\/OskarRojewski<\/a><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>Research interests<\/strong>:<\/p>\n<p>Flemish art, Hispano-flemish style, 15th and 16th centuries art, court culture and festivities in the Late Medieval and Early Modern Time<\/p>\n<p><strong>Recent publications (5):<\/strong><\/p>\n<ol>\n<li>\u201eFelipe Morras (Philippon Mauroux), a Picard Trained in Ghent, his Workshop in Marseille, and his Stay at the Court of Isabella of Castile\u201d, <em>Artibus et Historiae<\/em>, 89 (2024), pp. 49-66.<\/li>\n<li>\u201eThe Translation of Court Culture from the Burgundian Court to the Kingdom of Castile: The Sovereign\u2019s Privacy and Relationship with Court Artists\u201d, w: <em>Notions of Privacy at Early Modern European Courts: Reassessing the Public and Private Divide, 1400-1800<\/em>, ed. by Neighbors D. M., N\u00f8rgaard L.C., Woodacre E., Amsterdam University Press, 2024, pp. 163-190.<\/li>\n<li>\u201eRevealing Privacy in Epithalamia: Royal Possessions during Wedding Festivals at the Court of the Jagiellonians: Sigismund I the Old and Sigismund II Augustus\u201d, <em>The Court Historian<\/em>, 28, 2 (2023), pp. 101-113.<\/li>\n<li>Together with Ana Di\u00e9guez Rodr\u00edguez, \u201eThe Odyssey of a Diptych. Issues of Authorship and Provenience of the Virgen Dolorosa and the Cristo Coronado de Espinas from the Former Collection in Go\u0142uch\u00f3w\u201d, Biuletyn Historii Sztuki, 85, 1 (2023), pp. 47-68.<\/li>\n<li>\u201eThe debts owed by the Castilian court to an emigrant painter: Michel Sittow\u2019s sojourns in Castile (1492-1502\/1504)\u201d, <em>Oud Holland<\/em>, 135, 4 (2022), pp. 157-171.<\/li>\n<\/ol>\n<p><strong>Research grants:<\/strong><\/p>\n<ol>\n<li>PI in the research project from the National Centre for Science, Poland &#8211; Re-thinking of &#8222;Het Schilder-Boeck&#8221; (the Book of Painting) and tracing the migration of Flemish Masters (XV-XVI centuries) &#8211; (2022\/47\/D\/HS2\/01798)<\/li>\n<li>University Rey Juan Carlos, Spain &#8211; Mar\u00eda Zambrano postdoctoral fellow, February 2022-December 2023<\/li>\n<li>The Centre for Privacy Studies, University of Copenhagen, Denmark \u2013 postdoctoral fellow, January 2020-December 2021<\/li>\n<\/ol>\n<p><strong>Academic outreach and engagement<\/strong><strong> (3):<\/strong><\/p>\n<ol>\n<li>Open lectures during the Silesian Science Festival and collaboration with institutions of culture; invited lectures at the University of Murcia, University of Valladolid, Fine Arts Academy of Estonia, University Roma Tre<\/li>\n<li>Secretary of the journal<em>Estudios<\/em><em>\u00a0<\/em><em>del Mundo Cl\u00e1sico e Historia del Arte,<\/em><em>\u00a0<\/em>published by Univeristat Jaume I; member of the scientific committee of Instituto Moll. Centro de Investigaci\u00f3n de Pintura Flamenca (Madrid, Spain).<\/li>\n<li>Member of the research group<em>Iconograf\u00eda e Historia del Arte,<\/em><em>\u00a0<\/em>Univeristat Jaume I (Castell\u00f3n de la Plana, Spain); Centre for Privacy Studies (Copenhagen, Denmark); Research team CINTER (Madrid, Spain); and Memling Research Centre (Gdansk, Poland)<\/li>\n<\/ol>\n<p>\n<\/div>\r\n                    <\/div>\r\n                <\/div>[\/vc_tta_section][\/vc_tta_tabs][\/vc_column][vc_column width=&#8221;1\/3&#8243;]\r\n                <div class=\"text-modules\">\r\n                    <div class=\"container\">\r\n                        \r\n                        <div class=\"text-modules__content\"><\/p>\n<p>&nbsp;<\/p>\n<p><img class=\"alignnone wp-image-1248 size-full\" src=\"https:\/\/us.edu.pl\/instytut\/inos\/wp-content\/uploads\/sites\/29\/Bez-kategorii\/IMG_5793-2-scaled.jpeg\" alt=\"Oskar J. Rojewski\" width=\"100%\" height=\"auto\" srcset=\"https:\/\/us.edu.pl\/instytut\/inos\/wp-content\/uploads\/sites\/29\/Bez-kategorii\/IMG_5793-2-scaled.jpeg 2560w, https:\/\/us.edu.pl\/instytut\/inos\/wp-content\/uploads\/sites\/29\/Bez-kategorii\/IMG_5793-2-300x225.jpeg 300w, https:\/\/us.edu.pl\/instytut\/inos\/wp-content\/uploads\/sites\/29\/Bez-kategorii\/IMG_5793-2-1024x768.jpeg 1024w, https:\/\/us.edu.pl\/instytut\/inos\/wp-content\/uploads\/sites\/29\/Bez-kategorii\/IMG_5793-2-768x576.jpeg 768w, https:\/\/us.edu.pl\/instytut\/inos\/wp-content\/uploads\/sites\/29\/Bez-kategorii\/IMG_5793-2-1536x1152.jpeg 1536w, https:\/\/us.edu.pl\/instytut\/inos\/wp-content\/uploads\/sites\/29\/Bez-kategorii\/IMG_5793-2-2048x1536.jpeg 2048w, https:\/\/us.edu.pl\/instytut\/inos\/wp-content\/uploads\/sites\/29\/Bez-kategorii\/IMG_5793-2-575x431.jpeg 575w\" sizes=\"(max-width: 2560px) 100vw, 2560px\" \/><\/p>\n<\/div>\r\n                    <\/div>\r\n                <\/div>[\/vc_column][\/vc_row]<\/p>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column width=&#8221;2\/3&#8243;][vc_tta_tabs][vc_tta_section title=&#8221;POLISH&#8221; tab_id=&#8221;1620124382427-5dd9abc4-6c1e&#8221;][\/vc_tta_section][vc_tta_section title=&#8221;ENGLISH&#8221; tab_id=&#8221;1620124382448-34a43411-a17d&#8221;][\/vc_tta_section][\/vc_tta_tabs][\/vc_column][vc_column width=&#8221;1\/3&#8243;][\/vc_column][\/vc_row] [&#8230;]<\/p>\n<p><a class=\"btn btn-secondary understrap-read-more-link\" href=\"https:\/\/us.edu.pl\/instytut\/inos\/osoby\/oskar-jacek-rojewski\/\">Read More&#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"template":"","meta":{"_expiration-date-status":"","_expiration-date":0,"_expiration-date-type":"","_expiration-date-categories":[],"_expiration-date-options":[]},"acf":[],"_links":{"self":[{"href":"https:\/\/us.edu.pl\/instytut\/inos\/wp-json\/wp\/v2\/osoby\/219"}],"collection":[{"href":"https:\/\/us.edu.pl\/instytut\/inos\/wp-json\/wp\/v2\/osoby"}],"about":[{"href":"https:\/\/us.edu.pl\/instytut\/inos\/wp-json\/wp\/v2\/types\/osoby"}],"author":[{"embeddable":true,"href":"https:\/\/us.edu.pl\/instytut\/inos\/wp-json\/wp\/v2\/users\/1"}],"version-history":[{"count":11,"href":"https:\/\/us.edu.pl\/instytut\/inos\/wp-json\/wp\/v2\/osoby\/219\/revisions"}],"predecessor-version":[{"id":1563,"href":"https:\/\/us.edu.pl\/instytut\/inos\/wp-json\/wp\/v2\/osoby\/219\/revisions\/1563"}],"wp:attachment":[{"href":"https:\/\/us.edu.pl\/instytut\/inos\/wp-json\/wp\/v2\/media?parent=219"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}