{"id":173648,"date":"2024-07-11T14:53:46","date_gmt":"2024-07-11T12:53:46","guid":{"rendered":"https:\/\/us.edu.pl\/wydzial\/wh\/?page_id=173648"},"modified":"2025-04-24T14:22:16","modified_gmt":"2025-04-24T12:22:16","slug":"hetschilderboeck-research-team","status":"publish","type":"page","link":"https:\/\/us.edu.pl\/wydzial\/wh\/hetschilderboeck-research-team\/","title":{"rendered":"Research team"},"content":{"rendered":"

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Jan and Hubrecht van Eyck<\/div>\n
\u2026 and because art likes to be near wealth so as to be maintained with rich rewards, Johannes went to live in the town of Bruges where all manner of merchants abounded\u2026<\/div>\n <\/a>\n <\/div>\n <\/div>\n \n Jan and Hubrecht van Eyck \u2026 and because art likes to be near wealth so as to be maintained with rich rewards, Johannes went to live in the town of Bruges where all manner of merchants abounded\u2026<\/span>\n <\/a>\n <\/div>\n
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Pieter Coeck van Aalst<\/div>\n
\u2026He had been to Italy and attended the universal school of painters of Rome \u2013 where he displayed much diligence in drawing and painting with regard to figures as well as architecture<\/div>\n <\/a>\n <\/div>\n <\/div>\n \n Pieter Coeck van Aalst \u2026He had been to Italy and attended the universal school of painters of Rome \u2013 where he displayed much diligence in drawing and painting with regard to figures as well as architecture<\/span>\n <\/a>\n <\/div>\n
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Lambert Lombardus<\/div>\n
\u2026Lambert has been to various countries, firstly to different parts of the Netherlands, also Germany and France; (\u2026) he managed to seek out antiquities (\u2026) when in Italy\u2026<\/div>\n <\/a>\n <\/div>\n <\/div>\n \n Lambert Lombardus \u2026Lambert has been to various countries, firstly to different parts of the Netherlands, also Germany and France; (\u2026) he managed to seek out antiquities (\u2026) when in Italy\u2026<\/span>\n <\/a>\n <\/div>\n
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Jan Joest van Kalkar<\/div>\n
\u2026In Venice he was a worthy pupil of the great Titian whose manner of painting he not only followed but which he so closely imitated that eventually one was unable to distinguish their hands\u2026<\/div>\n <\/a>\n <\/div>\n <\/div>\n \n Jan Joest van Kalkar \u2026In Venice he was a worthy pupil of the great Titian whose manner of painting he not only followed but which he so closely imitated that eventually one was unable to distinguish their hands\u2026<\/span>\n <\/a>\n <\/div>\n
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Jan Cornelisz Vermeyen<\/div>\n
\u2026through his diligence and art he became the painter to the Serene Emperor whom he accompanied as a fellow-traveller to various countries, for example Tunis in Barbary in 1535; for the Emperor gave him many commissions to depict his wars, deeds and conquests, from which drawings beautiful tapestries were subsequently made\u2026<\/div>\n <\/a>\n <\/div>\n <\/div>\n \n Jan Cornelisz Vermeyen \u2026through his diligence and art he became the painter to the Serene Emperor whom he accompanied as a fellow-traveller to various countries, for example Tunis in Barbary in 1535; for the Emperor gave him many commissions to depict his wars, deeds and conquests, from which drawings beautiful tapestries were subsequently made\u2026<\/span>\n <\/a>\n <\/div>\n
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Jan Gossaert<\/div>\n
...the road to virtue is commonly rough or hard. He visited Italy and other countries and was at least one of the first to have brought the correct manner of composing and making pictures full of nudes and all kinds of allegories from Italy to Flanders\u2026<\/div>\n <\/a>\n <\/div>\n <\/div>\n \n Jan Gossaert ...the road to virtue is commonly rough or hard. He visited Italy and other countries and was at least one of the first to have brought the correct manner of composing and making pictures full of nudes and all kinds of allegories from Italy to Flanders\u2026<\/span>\n <\/a>\n <\/div>\n
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\"National<\/p>\n<\/div>\r\n <\/div>\r\n <\/div>[\/vc_column][vc_column width=”1\/6″][\/vc_column][\/vc_row][vc_row el_class=”container”][vc_column width=”1\/6″][vc_btn title=”Research team” style=”custom” custom_background=”#002e5a” custom_text=”#ffffff” shape=”square” align=”right” i_align=”right” i_icon_fontawesome=”fas fa-arrow-right” button_block=”true” add_icon=”true” link=”url:https%3A%2F%2Fus.edu.pl%2Fwydzial%2Fwh%2Fhetschilderboeck-research-team%2F”][vc_btn title=”Outcomes” style=”custom” custom_background=”#002e5a” custom_text=”#ffffff” shape=”square” align=”right” button_block=”true” link=”url:https%3A%2F%2Fus.edu.pl%2Fwydzial%2Fwh%2Fhetschilderboeck-outcomes%2F”][vc_btn title=”Organised seminars” style=”custom” custom_background=”#002e5a” custom_text=”#ffffff” shape=”square” align=”right” button_block=”true” link=”url:https%3A%2F%2Fus.edu.pl%2Fwydzial%2Fwh%2Fhetschilderboeck-organised-seminars%2F”][vc_btn title=”About the project” style=”custom” custom_background=”#002e5a” custom_text=”#ffffff” shape=”square” align=”right” button_block=”true” link=”url:https%3A%2F%2Fus.edu.pl%2Fwydzial%2Fwh%2Fhetschilderboeck%2F”][\/vc_column][vc_column width=”2\/3″][vc_row_inner][vc_column_inner][vc_custom_heading text=”Research team” font_container=”tag:h2|text_align:left|color:%23002e5a” google_fonts=”font_family:PT%20Sans%3Aregular%2Citalic%2C700%2C700italic|font_style:700%20bold%20regular%3A700%3Anormal”][vc_separator][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner css=”.vc_custom_1720701636096{border-left-width: 2px !important;border-left-color: #002e5a !important;border-left-style: solid !important;border-radius: 10px !important;}”]\r\n

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Oskar J. Rojewski \u2013 Principal Investigator (University of Silesia in Katowice)<\/a><\/span><\/h4>\n

PhD in Art History from the University Jaume I and the University of Valencia; Postdoc at the Centre for Privacy Studies at the University of Copenhagen; CINTER team at the Rey Juan Carlos University; and Fondation P\u00e9rier D\u2019Ieteren. Associated Professor at the University of Silesia in Katowice and an Associate researcher at the Instituto Moll. Centro de Investigaci\u00f3n de Pintura Flamenca. His research interests are the migration of Flemish masters and court artists in fifteenth and sixteenth centuries Europe, the iconography of power, courtly culture, and festivities.<\/p>\n

Contact: oskar.rojewski@us.edu.pl<\/a><\/p>\n<\/div>\r\n <\/div>\r\n <\/div>[\/vc_column_inner][\/vc_row_inner][vc_empty_space][vc_row_inner][vc_column_inner css=”.vc_custom_1720701636096{border-left-width: 2px !important;border-left-color: #002e5a !important;border-left-style: solid !important;border-radius: 10px !important;}”]\r\n

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Karolina Prykowska<\/span><\/h4>\n

PhD candidate at the Doctoral School of the Faculty of History at the University of Gda\u0144sk. She holds a bachelor’s and a master’s degree in history, as well as a bachelor’s degree in Balkan studies. She is currently working on her PhD dissertation on the inhabitants of medieval Zadar in the light of wills from the late 13th to the early 15th century \u2013 a social and cultural analysis.<\/p>\n<\/div>\r\n <\/div>\r\n <\/div>[\/vc_column_inner][\/vc_row_inner][vc_empty_space][vc_row_inner][vc_column_inner css=”.vc_custom_1720701897820{border-left-width: 2px !important;border-left-color: #002e5a !important;border-left-style: solid !important;border-radius: 10px !important;}”]\r\n

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Aleksandra Stanek<\/span><\/span><\/h4>\n

PhD Candidate; she is a fellow at the University of Silesia in Katowice related to the present project and a member of the Memling Research Center of the University of Gda\u0144sk (https:\/\/mrc.ug.edu.pl\/<\/a>). Her research focuses on the influence of fifteenth and sixteenth-century Netherlandish art on the culture of the Iberian Peninsula and the role of women at the Spanish court. Currently, she is working on a dissertation about the creation of female art collections at the courts of the Kingdom of Castile and Aragon in the fifteenth and sixteenth centuries.<\/p>\n<\/div>\r\n <\/div>\r\n <\/div>[\/vc_column_inner][\/vc_row_inner][vc_empty_space][vc_row_inner][vc_column_inner css=”.vc_custom_1720701942728{border-left-width: 2px !important;border-left-color: #002e5a !important;border-left-style: solid !important;border-radius: 10px !important;}”]\r\n

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Paolo Privitera \u2013 Researcher<\/span><\/h4>\n

PhD in Architecture from the Polytechnic University of Valencia; visiting researcher at the Polytechnic of Bari and University of Havana. He worked for Architects Without Frontiers and the UNESCO Chair Forum University and Cultural Heritage. His research focuses on early modern vernacular architecture, the digital humanities and database building for cultural heritage taxonomy. He is the project database manager.<\/p>\n<\/div>\r\n <\/div>\r\n <\/div>[\/vc_column_inner][\/vc_row_inner][vc_empty_space][vc_separator color=”custom” border_width=”2″ accent_color=”#002e5a”][vc_row_inner][vc_column_inner]\r\n

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Affiliated scholars:<\/u><\/span><\/h5>\n

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