{"id":173666,"date":"2024-07-11T15:25:49","date_gmt":"2024-07-11T13:25:49","guid":{"rendered":"https:\/\/us.edu.pl\/wydzial\/wh\/?page_id=173666"},"modified":"2026-02-09T07:46:14","modified_gmt":"2026-02-09T06:46:14","slug":"hetschilderboeck-outcomes","status":"publish","type":"page","link":"https:\/\/us.edu.pl\/wydzial\/wh\/hetschilderboeck-outcomes\/","title":{"rendered":"Outcomes"},"content":{"rendered":"

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Jan and Hubrecht van Eyck<\/div>\n
\u2026 and because art likes to be near wealth so as to be maintained with rich rewards, Johannes went to live in the town of Bruges where all manner of merchants abounded\u2026<\/div>\n <\/a>\n <\/div>\n <\/div>\n \n Jan and Hubrecht van Eyck \u2026 and because art likes to be near wealth so as to be maintained with rich rewards, Johannes went to live in the town of Bruges where all manner of merchants abounded\u2026<\/span>\n <\/a>\n <\/div>\n
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Pieter Coeck van Aalst<\/div>\n
\u2026He had been to Italy and attended the universal school of painters of Rome \u2013 where he displayed much diligence in drawing and painting with regard to figures as well as architecture<\/div>\n <\/a>\n <\/div>\n <\/div>\n \n Pieter Coeck van Aalst \u2026He had been to Italy and attended the universal school of painters of Rome \u2013 where he displayed much diligence in drawing and painting with regard to figures as well as architecture<\/span>\n <\/a>\n <\/div>\n
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Lambert Lombardus<\/div>\n
\u2026Lambert has been to various countries, firstly to different parts of the Netherlands, also Germany and France; (\u2026) he managed to seek out antiquities (\u2026) when in Italy\u2026<\/div>\n <\/a>\n <\/div>\n <\/div>\n \n Lambert Lombardus \u2026Lambert has been to various countries, firstly to different parts of the Netherlands, also Germany and France; (\u2026) he managed to seek out antiquities (\u2026) when in Italy\u2026<\/span>\n <\/a>\n <\/div>\n
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Jan Joest van Kalkar<\/div>\n
\u2026In Venice he was a worthy pupil of the great Titian whose manner of painting he not only followed but which he so closely imitated that eventually one was unable to distinguish their hands\u2026<\/div>\n <\/a>\n <\/div>\n <\/div>\n \n Jan Joest van Kalkar \u2026In Venice he was a worthy pupil of the great Titian whose manner of painting he not only followed but which he so closely imitated that eventually one was unable to distinguish their hands\u2026<\/span>\n <\/a>\n <\/div>\n
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Jan Cornelisz Vermeyen<\/div>\n
\u2026through his diligence and art he became the painter to the Serene Emperor whom he accompanied as a fellow-traveller to various countries, for example Tunis in Barbary in 1535; for the Emperor gave him many commissions to depict his wars, deeds and conquests, from which drawings beautiful tapestries were subsequently made\u2026<\/div>\n <\/a>\n <\/div>\n <\/div>\n \n Jan Cornelisz Vermeyen \u2026through his diligence and art he became the painter to the Serene Emperor whom he accompanied as a fellow-traveller to various countries, for example Tunis in Barbary in 1535; for the Emperor gave him many commissions to depict his wars, deeds and conquests, from which drawings beautiful tapestries were subsequently made\u2026<\/span>\n <\/a>\n <\/div>\n
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Jan Gossaert<\/div>\n
...the road to virtue is commonly rough or hard. He visited Italy and other countries and was at least one of the first to have brought the correct manner of composing and making pictures full of nudes and all kinds of allegories from Italy to Flanders\u2026<\/div>\n <\/a>\n <\/div>\n <\/div>\n \n Jan Gossaert ...the road to virtue is commonly rough or hard. He visited Italy and other countries and was at least one of the first to have brought the correct manner of composing and making pictures full of nudes and all kinds of allegories from Italy to Flanders\u2026<\/span>\n <\/a>\n <\/div>\n
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\"National<\/p>\n<\/div>\r\n <\/div>\r\n <\/div>[\/vc_column][vc_column width=”1\/6″][\/vc_column][\/vc_row][vc_row el_class=”container”][vc_column width=”1\/6″][vc_btn title=”Outcomes” style=”custom” custom_background=”#002e5a” custom_text=”#ffffff” shape=”square” align=”right” i_align=”right” i_icon_fontawesome=”fas fa-arrow-right” button_block=”true” add_icon=”true” link=”url:https%3A%2F%2Fus.edu.pl%2Fwydzial%2Fwh%2Fhetschilderboeck-outcomes%2F”][vc_btn title=”Organised seminars” style=”custom” custom_background=”#002e5a” custom_text=”#ffffff” shape=”square” align=”right” button_block=”true” link=”url:https%3A%2F%2Fus.edu.pl%2Fwydzial%2Fwh%2Fhetschilderboeck-organised-seminars%2F”][vc_btn title=”About the project” style=”custom” custom_background=”#002e5a” custom_text=”#ffffff” shape=”square” align=”right” button_block=”true” link=”url:https%3A%2F%2Fus.edu.pl%2Fwydzial%2Fwh%2Fhetschilderboeck%2F”][vc_btn title=”Research team” style=”custom” custom_background=”#002e5a” custom_text=”#ffffff” shape=”square” align=”right” button_block=”true” link=”url:https%3A%2F%2Fus.edu.pl%2Fwydzial%2Fwh%2Fhetschilderboeck-research-team%2F”][\/vc_column][vc_column width=”2\/3″][vc_row_inner][vc_column_inner][vc_custom_heading text=”Outcomes” font_container=”tag:h2|text_align:left|color:%23002e5a” google_fonts=”font_family:PT%20Sans%3Aregular%2Citalic%2C700%2C700italic|font_style:700%20bold%20regular%3A700%3Anormal”][vc_separator][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner]\r\n

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Publications:<\/span><\/span><\/h4>\n

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Oskar J. Rojewski and Jos\u00e9 Eloy Hortal Mu\u00f1oz, „The Reception of Burgundian Tradition through a Court of Travelling Sovereigns: Courtiers of Philip the Fair during His Sojourn in the Iberian Peninsula (1501-1503)”, Publications du Centre Europ\u00e9en d\u2019Etudes Bourguignonnes (XIVe-XVIe s.)<\/em>, 65 (2025), pp. 371-382.<\/p>\n

https:\/\/www.brepolsonline.net\/content\/journals\/10.1484\/J.PCEEB.5.152453<\/a><\/p>\n<\/div>\r\n <\/div>\r\n <\/div>[\/vc_column_inner][\/vc_row_inner][vc_empty_space][vc_row_inner][vc_column_inner css=”.vc_custom_1720703011253{border-left-width: 3px !important;border-left-color: #002e5a !important;border-left-style: solid !important;}”]\r\n

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Oskar J. Rojewski, Painter to the Queen. Michel Sittow, Courtier to Isabella of Castile and the Habsburg Dynasty<\/em>, Turnhout: Brepols, 2025.<\/p>\n

https:\/\/www.brepols.net\/products\/IS-9782503611785-1<\/a><\/p>\n<\/div>\r\n <\/div>\r\n <\/div>[\/vc_column_inner][\/vc_row_inner][vc_empty_space][vc_row_inner][vc_column_inner css=”.vc_custom_1720703011253{border-left-width: 3px !important;border-left-color: #002e5a !important;border-left-style: solid !important;}”]\r\n

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Oskar J. Rojewski, \u201eHans Memling clients from the Kingdom of Castille\u201d, Zdanov Sacha, Di\u00e9guez-Rodr\u00edguez Ana (eds.): Cultural Crossroads: Netherlandish Painting and the Iberian Territories, 15th-17th Centuries. Papers from the First Study Day in the Series \u201cCultural Crossroads: Artistic Encounters between the Low Countries and Spain, 15th-17th Centuries\u201d<\/em>, Brussels, 24 November 2023, Brussels, \u00c9ditechnart, 2025, pp. 93-112.<\/p>\n<\/div>\r\n <\/div>\r\n <\/div>[\/vc_column_inner][\/vc_row_inner][vc_empty_space][vc_row_inner][vc_column_inner css=”.vc_custom_1720703011253{border-left-width: 3px !important;border-left-color: #002e5a !important;border-left-style: solid !important;}”]\r\n

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Oskar J. Rojewski and Mette Birkedal Brunn, \u201cThe Privacy of a Court Painter: Michel Sittow and his Journeys to the Courts of Isabella of Castile, Christian II of Denmark, and Margaret of Austria”,\u00a0Baltic Journal of Art History<\/em>, 27 (2024), 9-40.<\/p>\n

https:\/\/ojs.utlib.ee\/index.php\/bjah\/article\/view\/24771<\/a><\/p>\n<\/div>\r\n <\/div>\r\n <\/div>[\/vc_column_inner][\/vc_row_inner][vc_empty_space][vc_row_inner][vc_column_inner css=”.vc_custom_1720703011253{border-left-width: 3px !important;border-left-color: #002e5a !important;border-left-style: solid !important;}”]\r\n

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.<\/span><\/p>\n

Oskar J. Rojewski, \u201eRaising, Educating, and Portraying Heirs to the Danish Throne at the Court of Margaret of Austria,\u201d KNOW: a journal on the formation of knowledge<\/em>, 8, 1\/2 spring-summer (2024), 131-159.<\/p>\n

https:\/\/www.journals.uchicago.edu\/doi\/10.1086\/730178<\/a><\/p>\n<\/div>\r\n <\/div>\r\n <\/div>[\/vc_column_inner][\/vc_row_inner][vc_empty_space][vc_row_inner][vc_column_inner css=”.vc_custom_1720703011253{border-left-width: 3px !important;border-left-color: #002e5a !important;border-left-style: solid !important;}”]\r\n

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Oskar J. Rojewski, \u201ePinturas de Michel Sittow realizadas en la Pen\u00ednsula Ib\u00e9rica (1492-1502\/1504)\u201d, BSAA Arte<\/em>, 89 (2023), 15-36.<\/p>\n

https:\/\/revistas.uva.es\/index.php\/bsaaarte\/article\/view\/8137<\/a><\/p>\n<\/div>\r\n <\/div>\r\n <\/div>[\/vc_column_inner][\/vc_row_inner][vc_empty_space][vc_row_inner][vc_column_inner]\r\n

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Conference presentations:<\/u><\/span><\/h4>\n

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Oskar J. Rojewski, \u201cFragment of the Chain Reaction: What Michel Sittow Learned in Memling\u2019s Workshop\u201d, Conference 'Zooming in and Out: Reconsidering Hans Memling’<\/em>, Bruges, 20-21.11.2025, BRUSK (Auditorium), Musea Brugge.<\/p>\n<\/div>\r\n <\/div>\r\n <\/div>[\/vc_column_inner][\/vc_row_inner][vc_empty_space][vc_row_inner][vc_column_inner css=”.vc_custom_1720703157873{border-left-width: 3px !important;border-left-color: #002e5a !important;border-left-style: solid !important;}”]\r\n

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Oskar J. Rojewski, y Federica Veratelli, \u201cUn \u2018cold case\u2019 internazionale: il Trittico di Danzica di Hans Memling\u201d, Conference Fortuna e sfortuna dei Polittici. Provenienze, ricostituzioni, restituzioni<\/em>, Lucca, 7-9.10.2025, Scuola IMT Lucca, INHA Paris, UCA\/S\u00e9vign\u00e9 \u2013 Universit\u00e9 C\u00f4te d\u2019Azur.<\/p>\n<\/div>\r\n <\/div>\r\n <\/div>[\/vc_column_inner][\/vc_row_inner][vc_empty_space][vc_row_inner][vc_column_inner css=”.vc_custom_1720703157873{border-left-width: 3px !important;border-left-color: #002e5a !important;border-left-style: solid !important;}”]\r\n

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Oskar J. Rojewski, \u201cThe apprentices in Hans Memling\u2019s workshop\u201d, International Medieval Congress of Leeds 2025<\/em>, Leeds, 7-10.07.2025, University of Leeds.<\/p>\n<\/div>\r\n <\/div>\r\n <\/div>[vc_empty_space][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner css=”.vc_custom_1720703157873{border-left-width: 3px !important;border-left-color: #002e5a !important;border-left-style: solid !important;}”]\r\n

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Oskar J. Rojewski, \u201cMiserable or distinguished court painter? Michel Sittow\u2019s income in the Kingdom of Castille (1492-1502)\u201d, Kings and Queens Conference 2025<\/em>, Lisabon, 9-11.06.2025, University of Lisabon.<\/p>\n<\/div>\r\n <\/div>\r\n <\/div>[\/vc_column_inner][\/vc_row_inner][vc_empty_space][vc_row_inner][vc_column_inner css=”.vc_custom_1720703157873{border-left-width: 3px !important;border-left-color: #002e5a !important;border-left-style: solid !important;}”]\r\n

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Oskar J. Rojewski, \u201cMichel Sittow\u2019s income at the Castilian court\u201d, Annual Meeting of the Renaissance Society of America 2025<\/em>, Boston, 20-22.03.2025, Renaissance Society of America.<\/p>\n<\/div>\r\n <\/div>\r\n <\/div>[\/vc_column_inner][\/vc_row_inner][vc_empty_space][vc_row_inner][vc_column_inner css=”.vc_custom_1720703157873{border-left-width: 3px !important;border-left-color: #002e5a !important;border-left-style: solid !important;}”]\r\n

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Oskar J. Rojewski, Jos\u00e9 Eloy Hortal Mu\u00f1oz, \u201e A Court of Travelling Sovereigns. A quantitative and qualitative study of the court of Phillipe the Fair during his sojourn in the Iberian Peninsula (1501-1503)\u201d,\u00a065e Rencontres du Centre europ\u00e9en d\u2019\u00c9tudes bourguignonnes<\/em>, Lausanne, 12-14.09.2024, Universit\u00e9 de Lausanne<\/p>\n<\/div>\r\n <\/div>\r\n <\/div>[\/vc_column_inner][\/vc_row_inner][vc_empty_space][vc_row_inner][vc_column_inner css=”.vc_custom_1720703157873{border-left-width: 3px !important;border-left-color: #002e5a !important;border-left-style: solid !important;}”]\r\n

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Oskar J. Rojewski, \u201cMichel Sittow\u2019s Income at the Castilian Court\u201d, Boston, 19-22.03.2025,\u00a0Annual meeting of Renaissance Society of America 2025<\/em>, session\u00a0Michel Sittow: New Research to Commemorate the Fifth Centenary of His Death<\/em>\u00a0sponsored by the Historians of the Netherlandish Art.<\/p>\n<\/div>\r\n <\/div>\r\n <\/div>[\/vc_column_inner][\/vc_row_inner][vc_empty_space][vc_row_inner][vc_column_inner css=”.vc_custom_1720703157873{border-left-width: 3px !important;border-left-color: #002e5a !important;border-left-style: solid !important;}”]\r\n

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.<\/span><\/p>\n

Oskar J. Rojewski and X\u00e9nia Wasilewski, \u201eTwo panels of the Passion scenes from Torun (Poland). Reception of the German and Flemish Art in the Baltic Region c. 1500\u201d, Brussels, 07.06.2014, Penser l\u2019oeuvre d\u2019art de la creation \u00e0 la restauration<\/em>, Fondation P\u00e9rier-D\u2019Ieteren.<\/p>\n<\/div>\r\n <\/div>\r\n <\/div>[\/vc_column_inner][\/vc_row_inner][vc_empty_space][vc_row_inner][vc_column_inner css=”.vc_custom_1720703157873{border-left-width: 3px !important;border-left-color: #002e5a !important;border-left-style: solid !important;}”]\r\n

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Oskar J. Rojewski, \u201eThe Importance of Being an Artist at Philip the Good\u2019s Court,\u201d Chicago, 21-23.03.2024, Annual meeting of Renaissance Society of America 2024, session Philip the Good, Isabella of Portugal, and the European Networks of Burgundy<\/em> sponsored by the Historians of the Netherlandish Art.<\/p>\n

https:\/\/rsa.confex.com\/rsa\/2024\/meetingapp.cgi\/Paper\/16429<\/a><\/p>\n<\/div>\r\n <\/div>\r\n <\/div>[\/vc_column_inner][\/vc_row_inner][vc_empty_space][vc_row_inner][vc_column_inner css=”.vc_custom_1720703157873{border-left-width: 3px !important;border-left-color: #002e5a !important;border-left-style: solid !important;}”]\r\n

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.<\/span><\/p>\n

Oskar J. Rojewski, \u201eMemling\u2019s Clients from the Kingdom of Castille,\u201d Study Day: Cultural Crossroads. Artistic Encounters between the Low Countries and Spain, 15th-17th Centuries. I. Flemish Paintings in Spain<\/em>, Brussels, 24.11.2023, Instituto Moll. Centro de Investigaci\u00f3n de Pintura Flamenca – Fondation P\u00e9rier-D\u2019Ieteren.<\/p>\n

https:\/\/www.institutomoll.com\/es\/conferencias-seminarios-congresos\/29<\/a><\/p>\n<\/div>\r\n <\/div>\r\n <\/div>[\/vc_column_inner][\/vc_row_inner][vc_empty_space][vc_row_inner][vc_column_inner css=”.vc_custom_1720703157873{border-left-width: 3px !important;border-left-color: #002e5a !important;border-left-style: solid !important;}”]\r\n

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.<\/span><\/p>\n

Jos\u00e9 Eloy Hortal Mu\u00f1oz, \u201eCourt Cultural Exchanges on Royal Works between the Habsburg Netherlands and the Iberian Peninsula (XIV-XVIIth centuries),\u201d Aranjuez, 25-27.10.2023, Court culture exchanges between the Iberian Peninsula and the Habsburg Netherlands (XVth \u2013 XVIth Centuries)<\/em>, Universidad Rey Juan Carlos \u2013 University of Silesia in Katowice – Instituto Moll. Centro de Investigaci\u00f3n de Pintura Flamenca.<\/p>\n

https:\/\/eventos.urjc.es\/102914\/detail\/congreso-cultural-exchanges-between-the-courts-of-the-iberian-peninsula-and-the-habsburg-netherland.html<\/a><\/p>\n<\/div>\r\n <\/div>\r\n <\/div>[\/vc_column_inner][\/vc_row_inner][vc_empty_space][vc_row_inner][vc_column_inner css=”.vc_custom_1720703157873{border-left-width: 3px !important;border-left-color: #002e5a !important;border-left-style: solid !important;}”]\r\n

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.<\/span><\/p>\n

Oskar J. Rojewski, \u201eSearching for a court painter in the Low Countries and a portrait of Ambassador Francisco de Rojas (?) by Hans Memling\u201d, Aranjuez, 25-27.10.2023, Court culture exchanges between the Iberian Peninsula and the Habsburg Netherlands (XVth \u2013 XVIth Centuries)<\/em>, Universidad Rey Juan Carlos \u2013 University of Silesia in Katowice – Instituto Moll. Centro de Investigaci\u00f3n de Pintura Flamenca.<\/p>\n

https:\/\/eventos.urjc.es\/102914\/detail\/congreso-cultural-exchanges-between-the-courts-of-the-iberian-peninsula-and-the-habsburg-netherland.html<\/a><\/p>\n<\/div>\r\n <\/div>\r\n <\/div>[\/vc_column_inner][\/vc_row_inner][vc_empty_space][vc_row_inner][vc_column_inner]\r\n

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Lectures:<\/u><\/span><\/h4>\n

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Oskar J. Rojewski, \u201cFrom 'Capable Boy of the Artisan Class\u2019\u00a0\u00a0to Pan-European Court Painter. New Insights into the Career of Michel Sittow (c. 1469\u20131525)\u201d, Seminar of the new research method and approaches, Olomuc, 9.04.2025, Palack\u00fd University Olomouc<\/p>\n<\/div>\r\n <\/div>\r\n <\/div>[\/vc_column_inner][\/vc_row_inner][vc_empty_space][vc_row_inner][vc_column_inner css=”.vc_custom_1720703157873{border-left-width: 3px !important;border-left-color: #002e5a !important;border-left-style: solid !important;}”]\r\n

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Oskar J. Rojewski, \u201cFrom the North to the South and back again: The mobility of Habsburg court artist\u201d, Lecture for students of the course\u00a0Interculturality in the Early Modern Europe<\/em>, Madrid, 2.04.2025, University Rey Juan Carlos<\/p>\n<\/div>\r\n <\/div>\r\n <\/div>[\/vc_column_inner][\/vc_row_inner][vc_empty_space][vc_row_inner][vc_column_inner css=”.vc_custom_1720703157873{border-left-width: 3px !important;border-left-color: #002e5a !important;border-left-style: solid !important;}”]\r\n

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Oskar J. Rojewski, \u201cThe Court Painter of Queen Isabella of Castille and the Habsburg Dynasty. Michel Sittow\u2019s (c. 1469-1525) life and ouvre\u201d, Seminar of Collecting Central Europe, Munich and online, 28.01.2025, Ludwig Maximilian University of Munich<\/p>\n

https:\/\/cast.itunes.uni-muenchen.de\/clips\/WbZsVuEqEd\/vod\/online.html<\/a><\/p>\n<\/div>\r\n <\/div>\r\n <\/div>[\/vc_column_inner][\/vc_row_inner][vc_empty_space][vc_row_inner][vc_column_inner css=”.vc_custom_1720703157873{border-left-width: 3px !important;border-left-color: #002e5a !important;border-left-style: solid !important;}”]\r\n

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Beata Mo\u017cejko, Oskar J. Rojewski, \u201e \u201cA Happy accident for Poland\u2026\u201d The Triptych of Last Judgment of Hans Memling in Gda\u0144sk\u201d,\u00a0Bernt Notke Seminar<\/em>, Tallinn, 2-6.12.2024, Estonian Academy of Arts<\/p>\n<\/div>\r\n <\/div>\r\n <\/div>[\/vc_column_inner][\/vc_row_inner][vc_empty_space][vc_row_inner][vc_column_inner css=”.vc_custom_1720703157873{border-left-width: 3px !important;border-left-color: #002e5a !important;border-left-style: solid !important;}”]\r\n

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Oskar J. Rojewski \u201eMi\u0119dzynarodowe kontakty i presti\u017cowe zlecenia, czyli o zaletach treningu czeladniczego w warsztacie Memlinga\u201d, Gda\u0144sk, 20.06.2024, Wok\u00f3\u0142 Memlinga. <\/em>Around Memling, <\/em>Memling Research Centre – University of Gdansk-Institute for Urban Culture.<\/p>\n

Recorded: https:\/\/www.youtube.com\/watch?v=XZetywssGC8<\/a><\/p>\n<\/div>\r\n <\/div>\r\n <\/div>[\/vc_column_inner][\/vc_row_inner][vc_empty_space][vc_row_inner][vc_column_inner css=”.vc_custom_1720703157873{border-left-width: 3px !important;border-left-color: #002e5a !important;border-left-style: solid !important;}”]\r\n

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.<\/span><\/p>\n

Oskar J. Rojewski, \u201eWorkshop for students: Copy-paste style. Spreading of engravings across European workshops (1450-1550)\u201d, BIP Erasmus+ Middle in the Middle: Cultural exchanges of Central Europe and the artistic production in the region of East Slovakia during the Middle Ages<\/em>, Kosice, 10.05.2024, Comenius University in Bratislava, Palack\u00fd University Olomouc, Masaryk University, University of Silesia in Katowice.<\/p>\n<\/div>\r\n <\/div>\r\n <\/div>[\/vc_column_inner][\/vc_row_inner][vc_empty_space][vc_row_inner][vc_column_inner css=”.vc_custom_1720703157873{border-left-width: 3px !important;border-left-color: #002e5a !important;border-left-style: solid !important;}”]\r\n

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.<\/span><\/p>\n

Aleksandra Stanek, <\/em>\u201eHiszpa\u0144skie \u017cywoty dzie\u0142 Hansa Memlinga\u201d, Gdansk 21.03.2024, Wok\u00f3\u0142 Memlinga. <\/em>Around Memling, <\/em>Memling Research Centre – University of Gdansk-Institute for Urban Culture.<\/p>\n

Recorded: https:\/\/www.youtube.com\/watch?v=A6W1XsRsgf8<\/a><\/p>\n<\/div>\r\n <\/div>\r\n <\/div>[\/vc_column_inner][\/vc_row_inner][vc_empty_space][vc_row_inner][vc_column_inner css=”.vc_custom_1720703157873{border-left-width: 3px !important;border-left-color: #002e5a !important;border-left-style: solid !important;}”]\r\n

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.<\/span><\/p>\n

Oskar J. Rojewski, \u201eMichel Sittow en el reino de Arag\u00f3n (1498)\u201d, Ciclo de conferencias dedicado al hallazgo de la pintura atribuida a Michel Sittow en Teruel<\/em>, Teruel, 8.02.2024, Universidad de Zaragoza \u2013 Museo del Arte Sacro de Teruel.<\/p>\n

http:\/\/vestigium.unizar.es\/actividad\/michel-sittow-en-la-corona-de-aragon-1498<\/a><\/p>\n<\/div>\r\n <\/div>\r\n <\/div>[\/vc_column_inner][\/vc_row_inner][vc_empty_space][vc_row_inner][vc_column_inner css=”.vc_custom_1720703157873{border-left-width: 3px !important;border-left-color: #002e5a !important;border-left-style: solid !important;}”]\r\n

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.<\/span><\/p>\n

Oskar J. Rojewski, \u201ePrimary sources on Michel Sittow\u2019s service to Isabella of Castile and Habsburgs,\u201d Brussels, 4.12.2023, Seminar of the Fondation P\u00e9rier-D\u2019Ieteren.<\/p>\n<\/div>\r\n <\/div>\r\n <\/div>[vc_empty_space][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner]\r\n

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Metadata created by the project:<\/span><\/span><\/h4>\n

\n<\/div>\r\n <\/div>\r\n <\/div>[\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner css=”.vc_custom_1720703157873{border-left-width: 3px !important;border-left-color: #002e5a !important;border-left-style: solid !important;}”]\r\n

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Letters from Margaret of Austria to Isabella of Austria (1519-1526)<\/p>\n

https:\/\/zenodo.org\/records\/16533416<\/a><\/p>\n<\/div>\r\n <\/div>\r\n <\/div>[vc_empty_space][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner css=”.vc_custom_1720703157873{border-left-width: 3px !important;border-left-color: #002e5a !important;border-left-style: solid !important;}”]\r\n

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Primary sources on Michel Sittow from AGS, AHPZ, ADN, AGR<\/p>\n

https:\/\/zenodo.org\/records\/16530285<\/a><\/p>\n<\/div>\r\n <\/div>\r\n <\/div>[vc_empty_space][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner css=”.vc_custom_1720703157873{border-left-width: 3px !important;border-left-color: #002e5a !important;border-left-style: solid !important;}”]\r\n

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\u00c9tats journaliers de gages (Zaragoza, 27 October 1502; Madrid, 10 December 1502; Perpignan, 18 January 1503; Montpellier, 8 March 1503) from the the Archives G\u00e9n\u00e9rales du Royaume in Brussels (Belgium)<\/p>\n

https:\/\/zenodo.org\/records\/18504464<\/a><\/p>\n<\/div>\r\n <\/div>\r\n <\/div>[\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/6″][\/vc_column][\/vc_row][vc_row el_class=”container”][vc_column width=”2\/3″][\/vc_column][vc_column width=”1\/3″][\/vc_column][\/vc_row]<\/p>","protected":false},"excerpt":{"rendered":"

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